Best of Emdashes: Hit Parade
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Who we?

Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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A few clips

• Report: Learning to read with comic books edited by Françoise Mouly (for Print)
• Interview: Designer Eleanor Grosch (for Print)
• Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
• Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
• Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
• Proposal: A more attractive MetroCard (for A Brief Message)
• Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
• Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
• Feature: Muslim immigration iconography in the Netherlands (for Print)
• Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
• Profile: screenwriter and novelist Joe Keenan (for Newsday)
• Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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