Emdashes. The New Yorker between the lines

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Martin Schneider writes:

S.L. Harrison at Editor & Publisher digs Robert Benchley’s “The Wayward Press.”

Software engineers find Atul Gawande’s checklist useful.

Malcolm Gladwell is one of the five most influential “business gurus” in America, per WSJ. (Related: Where are the women?)

Forbes appreciates Calvin “Bud” Trillin’s London election

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You’ll want to listen to the playlist that Daniel Radosh has helpfully assembled to accompany his list for Paper Cuts, Dwight Garner’s Times book blog, of “10 great Christian rock songs. Really. I know what you’re thinking.”

And speaking of saviors, there’s a lovely story in the Washington City Paper today about Julie Tate, ace news researcher for the Washington Post and former fact-checker at The New Yorker. I love behind-the-scenes pieces about magazines and newspapers, and this is a good one. Whatever is to become of the daily paper, reminding readers how essential classic reporting and researching skills are, and introducing them to the people who make those skills an art, will help the profession change forms more gracefully and (I hope) with more accuracy and honor.

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Here’s an elegant appreciation of the subway-map-themed entry in the recent Eustace Tilley retooling challenge. Benjamin Kabak writes: “Drawn by flickr user panutfla [Alberto Forero], the Tilley subway map evokes New York and the subways in all its glory. It is the quintessential image for The New Yorker, and while he magazine didn’t honor the underground veins of the city by placing this image on the cover, it is by far one of the most New York-centric images from The New Yorker I’ve seen in a long time.”

There’s no other way to say this—just obey me, please: Listen to Jonathan Lethem reading James Thurber’s short story “The Wood Duck.”

Also, were you wondering where my Pick of the Issue column went? Well, thanks! Me too! It’ll be back soon,

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Martin Schneider writes:

The “New Yorker Out Loud” podcast featured an intriguing revelation this week, and I thought I’d draw a little more attention to it.

In recent weeks Emily has followed the Eustace Tilley contest with understandably keen interest. It’s worth recalling that this manner of remix or appropriation was once less customary—it was a mere 14 years ago that the iconic annual Eustace Tilley cover was “messed with” by the great R. Crumb. Since 1993 we’ve seen all kinds of versions by Art Spiegelman (1997), Chris Ware (2005), Seth (2008), and many others.

I wasn’t living in the United States at the time, so it was difficult for me to gauge the uproar, but I’ve heard that

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Read this fascinating post, with photos, by Debi Bender of Monkey Sox, who, if I’m not mistaken, entered at least one drawing into the Eustace Tilley contest. Bender’s discovered a monocle-wearing, dandy-channeling performer named Vesta Tilley from early in the last century (but when, precisely? This obviously calls for further Eustace Googling, perhaps a little later since I’m going outside). Rea Irvin was an actor, so he may have run across V.T. in his theatrical circles, or perhaps he happened on one of the terrific photos that Bender shares in this entry. She writes:
Coincidental surname? Vesta Tilley, a famous and very popular (and happily married) English male impersonator, often played a dandy, singing and acting in theaters in New York.

Chorus on the playbill in which Vesta Tilley sang this ‘dandy’ number:

“He has the latest thing in collars, the latest thing in ties,
The latest specimen of girly girls with the latest blue blue eyes,
He knows the latest bit of scandal, in fact he gave it birth,
But when it comes to getting up of mornings, he’s the latest chap on earth.”
Think it’s all a saucy hoax? No indeed— (continued)

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