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Looked Into
Martin Schneider writes:
As Pollux noted recently—and our friend Ben Bass posted too—there is a mind-blowing trick in the special four-Eustace 85th anniversary cover of last month. If you place the four covers in the proper two-by-two configuration, the outlines of the original classic Eustace cover can be discerned.
Now we have Adam Kempa's excellent slider application, which allows you to find it without spreading (multiple copies of) the issue all over your living room floor.
I am endlessly impressed by such cleverness! Françoise Mouly, hats off to you! (A top hat, of course.)
(continued)
Martin Schneider writes:
User @alexbarkett (for that is the convention) tweets: "For everyone who was wondering, the audio prelude to all New Yorker podcasts is a song by Isolée called Schrapnell." I checked it out: it does sound right! (Compare.) A back and forth with Mr. Barkett confirmed that he knows the full song and that it only applies to the "Out Loud" podcasts.
Note that when I tried to confirm this fact on Google, I came up bupkes.
(continued)
Martin Schneider writes:
We're all accustomed to the perspective that The New Yorker is too precious, too pretentious, too serious, too self-absorbed, too too. We run into it all the time, it's a balloon that seemingly demands puncture. People fall over themselves, clutching a needle.
It's therefore instructive to enter "new yorker" as a search term on Twitter and see what people actually
(continued)
For instance, John F. Kennedy's interest in poverty, which laid the groundwork for the War on Poverty, came because he read Dwight MacDonald's long essay on Michael Harrington's book The Other America. And thus a national crusade was born. If he'd missed that issue of The New Yorker, the path of American social policy might have proven quite different.Now that got my attention. I'd never heard of this. Is it really true? Did JFK really move (continued)
Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.
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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Founded by Emily Gordon, edited by Martin Schneider, designed by House of Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.