There are smart cookies and dumb bunnies. (The latter term applies to men and women alike, as far as I’m concerned.) There are smart moves and dumbfounding decisions. And, as every discerning typophile, copy cat, and design devotee knows, there are smart quotes and dumb quotes. The image to the right is a succinct visual summary. The Society of Publication Designers feels so (justly) strongly about it that they made smart versus dumb quotes lesson number one in their essential-vocabulary series.
Most recently, John Brownlee at Fast Company’s Co.Design defines the problem and provides the solution:(continued)
“I get recognized here and there as the voice of Pocahontas. It happened a lot more at the time when it had come out. I couldn’t go grocery shopping without some little kid in the front of the cart going, ‘Mommy—Pocahontas!’”
“[Children] don’t know that I’ve done those other things. They know me by my voice because children hear me in a supermarket; sometimes I’ll be chatting with a friend about lettuce, and suddenly a child will say, ‘Mrs. Potts!’ It’s enchanting.”
Image from Voice Actors Who Look Like Their Characters(continued)
This site turned eight at the new year, which is almost a million in internet years. What have we been doing with ourselves? After a couple of years in Chicago writing theater reviews and Groupons, I’m back in New York, getting to work with longtime hero Jen Bekman at 20×200 and living in hilly and historic Peekskill with wonder duo Todd Londagin and Merideth Harte. Co-Emdasher Martin Schneider is writing Box Office Boffo, Paul Morris (a.k.a. Pollux) is doing a tremendous amount of fun and productive things—take a look at his Pinterest, for one—and the erudite Jonathan Taylor is grad-schooling and writing.
Probably because my 20×200 bio links here, I’ve gotten a few emails asking when we’re going to start posting again, already. In 2012, I made a goal to get to Gmail Draft Zero. So how about getting to Blog Draft Zero in 2013? Look for posts we saved and forgot to finish, essays just missing that one copyright-free image, and cartoons that want only tender loving formatting. Our unofficial motto, after all, is “Old news is good news.” And, of course, there’s a whole world of symbols and punctuation and hieroglyphs and pictograms and semaphores to attend to.
Happy new year. And thanks for visiting, as always!(continued)
Bill Haast, 100, Florida Snake Handler, Is Dead
Snake Handler Bitten by One of World’s Most Poisonous Vipers
Snake Handler Hospitalized After Suffering 102d Bite
Snake Handler Dies of Bite, As His Father-in-Law Did
Snake Handler Recuperating
Jolo Journal; When the Faithful Tempt the Serpent
Kentucky Man Killed by Rattler In Rite of Snake-Handling Cult
Defiant Snake Handler Dies
SQUEEZED BY AN ANACONDA; A TRYING MOMENT FOR AN EXPERT SNAKE HANDLER
Drought means booming business for Southern California snake handlers
SNAKE BITES A SHOWMAN; “Rattlesnake Pete” Gruber Thought to be Dying at Rochester
Zoo Burglar Tries to Steal Deadly Cobras; Mystery in Raid on the Bronx Reptile House
CHURCHES CHIDED ON MATERIAL AIMS
One African Takes Fangs Over Fido As a Sentry
Print is dead? I was watching Ghostbusters (1984) this weekend, and at one point the character Egon Spengler is asked a question, to which he responds: ‘Print is dead.” What is the earliest recorded use of this phrase?Among the satisfying replies:
I found a reference in the Antioch Review (1967) that uses “print is dead” as the characterization for Marshall McLuhan’s scholarship, which make a lot of sense to me in this context. This previously is also pertinent.And:
Someone else in that group also mentions that the “print is dead” line actually gained some popularity in the early 80s in tech circles as the personal computer gained prominence. It likely wasn’t the earliest recorded use, but Egon’s quote may have just been a result of the growing sentiment of the time.Meanwhile, a recent post on Movies.com answers the question I somehow didn’t think to ask, which is what the various Ghostbusters would look like if they were cartoon ghosts. Now you know. (continued)
Hello! I’m Emily Gordon, a content strategist, critic, and copywriter. Emdashes, born in 2004, spent its formative years as a New Yorker fan blog. (The project garnered some nice compliments and press.) It’s now a collection of conversations—generally civilized—about punctuation, magazines, movies, design, and other things that stir me.
Over the years, I’ve worked with a small army of culture writers, editors, and artists. You can read all about the people who've helped build Emdashes here at “Who We?” (That’s a New Yorker joke. Old habits die hard.)
I welcome submissions, questions, corrections, and ardent, obsessive contributors. I also host occasional book-related contests and giveaways. Questioners and publishers, just email me.
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