Best of Emdashes: Hit Parade
Weekly: Pick of the Issue
Bimonthly: Ask the Librarians
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Frequently:
Headline Shooter
Seal Barks
Eustace Google
Looked Into
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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Unsigned posts dated before October 2008 are written by Emily Gordon.
Emily Gordon, founder and editorial director, is the editor of Print magazine and a longtime admirer of The New Yorker. (More biographical information is below.) You can reach her by email at emily at emdashes dot com, or, for questions relating to Print magazine or graphic design, at emily dot gordon at printmag dot com.
Martin Schneider, editor of Emdashes since October 2008, also writes "The Squib Report," an in-depth look into the 83 years of The Complete New Yorker's digital archive and other subjects, and reports from New Yorker-related events in New York City and beyond. In his paying work life, Martin edits books for university presses and writes book reviews from his home in the Austrian countryside. You can reach him at martin at emdashes dot com.
Benjamin Chambers, columnist, writes "The Katharine Wheel," a column about New Yorker-related fiction, which is named in honor of Katharine White, The New Yorker's first fiction editor. Chambers is the editor of The King's English, a prizewinning online magazine that specializes in novella-length fiction. He received his MFA from Washington University in St. Louis and has had his fiction, poetry, and essays published in numerous journals, including The Iowa Review, ZYZZYVA, MANOA, and The Mississippi Review. You can find contact information at his website.
Pollux is the pen name of Paul Morris, staff cartoonist, who draws the daily comic "The Wavy Rule" for Emdashes and writes as well. Morris was born in Beverley, England, and studied history at UCLA and Brown University. Since 2006, he's written and drawn a webcomic called "Arnjuice." You can see more of his work on his Flickr page, and he has collections for sale at Lulu. He's currently studying graphic design at the Art Institute of California, Los Angeles. You can reach him at polylerus at gmail dot com.
Jonathan Taylor, contributing writer, is an editor who lives in Brooklyn. His writing for The Believer, The Village Voice, Stop Smiling, The Nation, Newsday, Time Out New York, The Stranger, and other publications can be found at jonathandtaylor.wordpress.com.
Brian Sholis, art editor, is the Artforum.com Editor at Artforum. He has written for Artforum, Parkett, Afterall, Flash Art, Bookforum, Print, the Detroit Metro-Times, and the New York Press, among other periodicals, and has contributed to books published by Taschen and Phaidon. He is the coeditor, with Noah Horowitz, of The Uncertain States of America Reader (Serpentine Gallery/Astrup Fearnley Museum of Modern Art/Sternberg Press, 2006). His personal site is www.briansholis.com; he lives in Brooklyn.
John Bucher, contributing writer, lives in Vancouver and is the creator of the blog New Yorker Comment. For Emdashes, he interviews Cartoon Caption Contest winners in the popular recurring feature "O Caption! My Caption!" You can reach him at john at emdashes dot com.
Quin Browne, contributing writer, was born in New Orleans. She writes a blog at FMD, and some of her stories can be found under her name at Six Sentences. Her preoccupations include eavesdropping, asking questions, watching far too many films and plays, reading on a regular basis, giving you her opinion whether you like it or not, and listening to yours.
More information about Emily Gordon than you require: Emily has been on staff at The Nation, Newsday, PEN America, Legal Affairs, and Grand Street. She has a B.A. in English from Barnard College and an M.F.A. in poetry from New York University. She's written reviews, features, and op-eds for Print, A Brief Message, Newsday, The New York Times Book Review, Salon, The Nation, The Village Voice, and The Washington Post Book World, among others. (There's a sampling of her clips here, here, and in the green footer below.) In the fall of 2008, she became editor-in-chief of Print magazine, and talked about it with MediaBistro.
She has been interviewed about the blog for Yahoo!, a Normblog profile, La Presse, the Daily News, and the Toronto Globe & Mail. (Emdashes has also won some kind seals of approval.) She has a Flickr page, a freewheeling list of affinities, and a (partial) philosophy.
Emdashes also publishes contributions by various esteemed guests, including The New Yorker's librarians, Jon Michaud and Erin Overbey, who write the bimonthly Ask the Librarians column.
The site was designed and built by Patric King and Su at Pretty; most illustrations are by Jesse Ewing at Inkleaf, with others by Carolita Johnson (who writes and draws newyorkette) and Lara Tomlin (represented at iSpot). The pencil-girl logo, based on a 1943 Dorothy Gray ad, was originally created by Jennifer Hadley.
A guide to the categories listed in the top green header:
Pick of the Issue: What to read? Every week, we choose the choicest cuts from the previous week’s magazine.
Headline Shooter: A rat-a-tat list of breaking stories about the magazine and its staff and contributors. Headline Shooter is also the name of a 1933 movie in which Robert Benchley played a radio announcer.
Hit Parade collects the posts that got people all whirled up like soft-serve ice cream.
New Yorker Festival: Here's where you'll find news and announcements about festivals the magazine puts together, including the New Yorker Festival and the New Yorker Conference. We've covered both for several years, so in this category, you can read news, reviews of events, and announcements about future developments.
Seal Barks envelops all the posts about art in the magazine—cartoons, covers, spots, photos, and illustrations. The name comes from the classic 1932 cartoon by James Thurber, in which a fed-up woman says to the man next to her in bed, "All right, have it your way—you heard a seal bark!" In a related category, "O Caption! My Caption!", we interview the winners of the weekly Cartoon Caption Contest, who must battle nearly 7,000 other entrants to make the grade and claim their prize. It's an elite and fascinating band.
Ask the Librarians: In their column, The New Yorker's head librarians, Jon Michaud and Erin Overbey, turn their sharp insight and deep research to your questions about the magazine past and present, as well as its personalities famous and forgotten. Have a question for Erin and Jon? Here’s how to submit.
On the Spot: News and reviews of New Yorker-related events, like readings, talks, plays, musical performances, gallery openings, and so on. “On the Spot” is also for announcing events we can’t go to, because they’re in Alaska or something. Emily prefers not to take notes at parties, so you’ll have to rely on others for scuttlebutt.
Looked Into is for reviews of things related to The New Yorker, by us and others. It's for focused critical examinations of things (like books and blog posts, but not events) that aren't actually in the magazine, but are in its spacious orbit.
Eustace Google: We google phrases, names, and other mysteries so you don't have to. It's a veritable Katz’s Deli of links in further pursuit of the details in a New Yorker story, drawing, ad, or news item.
Eds.: Items about the editors-in-chief since the start of the magazine: Harold Ross, William Shawn, Robert Gottlieb, Tina Brown, and David Remnick.
The Catbird Seat: Friends & Guests is where people we like write about whatever they want.
Jonathans Are Illuminated This category concerns all Jonathans of letters, the ones you know well and the ones who have yet to leap into Bright Young Jonathanness.
X-Rea tracks sightings of and inquiries into the work of The New Yorker's first art director, Rea Irvin, who created not only the iconic ironic dandy Eustace Tilley but the magazine's signature typeface. As you can guess from the category's title, his name is pronounced "Ray" as in Sugar, not "Ree" as in readerly.
Letters & Challenges: Letters from readers. Never fear—we print only the letters you’ve explicitly given us permission to print, whether with your name or anonymously; just let us know. Here's how to send one. There are also occasional challenges and contests. And prizes.
Personal: At last, something really bloggy! Read Emily's Innermost Thoughts, or at least the ones she chooses to share with the wide world web.
Emdashes Calendar: Our customized Google Calendar lists events around the country that we think Emdashes readers would like to know about, including but not limited to New Yorker-related events like the New Yorker Festival, the New Yorker Conference, readings by contributors, and events off the beaten track. If you have an event to suggest, email it to us. To add the Emdashes calendar to your iCal, feed reader, &c., click here. The calendar is currently semi-dormant while its editor is abroad, but please feel to continue to send in relevant events in the meantime.
Other em dash aficionados:
Em-Dash Man, a.k.a. photographer Martin Ley
Em Dash: "The Band, Not the Punctuation Mark"
Em Dash Book Publishing, of Victoria, B.C. (Love their tagline: "The beginning of the long dash.")
More Canadians: Em Dash Design, Montreal
Em Dash, home of a blogger with old-fashioned sensibilities (and we both like using the postal mail)
"Typography from letterpress to web": emdash
Emdash, a letterpress studio in St. Louis; Ken Botnick, owner
More designers: EMdash Design with Elizabeth E. Maplesden
Emily Raper's emdash designs
Em Dash, of San Francisco
This Daily Kos contributor; another from 43 Things; a third on the great COLOURLovers
Punk label Em Dash Music (site is down--very punk rock)
Grammar Girl on dashes
Finally, a mutineer: en dasher!
Further Emily Gordon note by Emily Gordon: Incidentally, Emily Fox Gordon, who wrote the highly regarded nonfiction books Mockingbird Years and Are You Happy?, is not me. Nor is Julia Emily Gordon the 19th-century painter; Emily Gordon the promising young singer-songwriter; the ubercool Emily Gordon of Gynomite!; or Emily Gordon the aikido practitioner, who can definitely beat me up, though I'm sure that's not her style. There's a contemporary painter, a real estate practitioner, students of all stripes, an incredibly cute toddler, and a British financial reporter, and they are not me, but if they would like to form an organization, I am all for joining it.
Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.
We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.
No fear: Everything you say or send is off the record unless we ask for your permission to use it.
This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.
They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
The New Yorker
Events listed by the magazine
Web resources: New Yorker writers and artists
Books, Organizations, &c.
Founded and micromanaged by Emily Gordon, edited by Martin Schneider, designed by House of Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.