Emdashes—Modern Times Between the Lines

The Basics:
About Emdashes | Email us

Before it moved to The New Yorker:
Ask the Librarians

Best of Emdashes: Hit Parade
A Web Comic: The Wavy Rule


Eleven! That’s how many years ago I founded Emdashes. What’s Emdashes? It’s either a pair of long dashes in a sentence—like so—or a culture blog whose original tagline was “The New Yorker Between the Lines.” (In its active days, it was a New Yorker magazine fanblog. More on all that here.)

You may be seeking my sentences. I tweet at @emdashes and compile the Tumblrs The Beautiful Sentence and Obscure Controversies. Here’s my LinkedIn profile.

The big picture: I’m a writer, editor, strategist, and poet; my keenest interests are books and culture, technology and design. I was a staff theater critic for Time Out Chicago; here are those reviews. I’ve interviewed Edward Gorey, Aisha Tyler, J. K. Rowling, Lewis Lapham, Ayaan Hirsi Ali, Nick Hornby, Cathleen Schine, Françoise Mouly, Paul Auster, and gifted young designers, among many others. I’ve also written about poetry.

Online archives being what they are, much of my journalism lives in the Lexis-Nexis Federal Penitentiary or in the twilight of the Wayback Machine. I’ve reprinted some pieces in posts tagged “Clips.” A few more samples at hand: features and interviews about graphic design, including a deep dive into the career of founding New Yorker art director Rea Irvin, for Print magazine; liveblogging for a hyperlocal-business summit; book reviews for Salon. For NYCgo.com, I celebrated the life of dance legend Frankie Manning, whom I’d previously interviewed for Newsday.

On the advertising and digital marketing side, as managing editor of Ogilvy & Mather’s IBM brand newsroom, I edited, art-directed, and co-wrote hundreds of pieces of content—blog posts, landing-page copy, infographics, and social media assets. You can get a taste of the work I’ve overseen from this SlideShare recap of our team’s live coverage of Mobile World Congress.

For arts and public-policy nonprofits, I’ve written and/or edited site copy, reports, and press releases. While helping build the Rockefeller Foundation’s content strategy for its “100 Resilient Cities” launch, I interviewed architecture critics about resilient buildings. I’ve written a lot of e-commerce and email-marketing material, including editorial and marketing e-blasts for the art-collecting site 20×200. As a Groupon copywriter in the site’s salad days, I wrote droll profiles in its giddy house style. I’ve also ghostwritten blog posts for B2B companies and features for business magazines.

Personal stuff: I’m working on the book and lyrics for a new musical and am shopping around a memoir. My photos are here on Instagram. I do sound improvising with the Dirty Little Secrets show, which plays monthly at Niagara in NYC. And I serve as an occasional occasional poet. Yes, I’m the author of that corduroy sestina. A clerihew I composed appeared on The New Yorker’s own blog, bringing it all full circle.


comments are off

saint-exupery-snake.jpegBill Haast, 100, Florida Snake Handler, Is Dead
Snake Handler Bitten by One of World’s Most Poisonous Vipers
Snake Handler Hospitalized After Suffering 102d Bite
Snake Handler Dies of Bite, As His Father-in-Law Did
Snake Handler Recuperating
Jolo Journal; When the Faithful Tempt the Serpent
Kentucky Man Killed by Rattler In Rite of Snake-Handling Cult
Defiant Snake Handler Dies
Drought means booming business for Southern California snake handlers
Handling Hogs
SNAKE BITES A SHOWMAN; “Rattlesnake Pete” Gruber Thought to be Dying at Rochester
Zoo Burglar Tries to Steal Deadly Cobras; Mystery in Raid on the Bronx Reptile House
One African Takes Fangs Over Fido As a Sentry


Harold Ramis says ten. (The screenwriter, Danny Rubin, invites you to pony up to find out what he thinks.) These folks say eight years, eight months, and sixteen days. My favorite estimate comes from this brilliant breakdown, which gives it as 12,403 days of Sonny and Cher and sweet vermouth on the rocks with a twist, or almost 34 years. Poor Phil. He really earned that happy ending.

—Emily Gordon


Martin Schneider writes:

It was a curious scene Monday night at 92Y. Steve Martin and Deborah Solomon, who is responsible for the "Questions For" feature in The New York Times Magazine, were slated to entertain a mostly filled Kaufmann Concert Hall (and, via simulcast, many other viewers at synagogues around the country) with an hour or so of lively chat.

It took only a few minutes for Solomon to alienate the audience thoroughly.

Solomon's strategy was to treat the event like a book report, covering, almost chapter by chapter, Martin's new novel about the art world, An Object of Beauty. As Martin pointed out, it was wise to assume that the


2008 Webby Awards Official Honoree