Best of Emdashes: Hit Parade
Our Daily Comic: The Wavy Rule
Archive: Ask the Librarians
Send us a question!
Frequently:
Headline Shooter
Seal Barks
Eustace Google
Looked Into
“Obsessing about fonts is a form of procrastination, so of course I have indulged in it ever since I graduated from a TRS-80 Model III to a Macintosh.” —Caleb Crain
“The main thing, though, is to use some nonproportional typewriter-style font—you need the sentences to look their worst until the dress rehearsal of the galleys, when all the serifs come out dancing.”
—Nicholson Baker
Emily Gordon writes:
My Chicago actor pal Lance Baker, taking a break from rehearsing Speed-the-Plow, just pointed out this 2007 gem from Slate: “My Favorite Font: Anne Fadiman, Jonathan Lethem, Richard Posner, and others reveal what font they compose in and why.” I wonder if they’ve all changed their minds by now? Caleb, how about you?
That thought sent me searching for this hilarious Jessica Hische post from earlier this year, a mini-autobiography of a typophile called “My Evolution of Type Taste from Grade School to Present”—click to enlarge and read her arch asides on questionable font attractions. Meanwhile, ambling along the googleway, I landed on this post about various other designers’ favorite faces.
All this brought me, musically and giddily, back to the song that is in my head 1) every time I see my sunscreen, which is called Sport Face, and 2) every time I hear Lady Gaga’s “Poker Face.” Yes, it’s DD40’s (Jason Kinney and Mark Searcy) Gaga-meets-typographer beards spectacular, “Neutra Face.” Here’s what Michael Conroy at the Wired U.K. blog wrote about it:I’ve seen this video several dozen times since it first rocked the world of fonty montys everywhere, and I still think it’s incredibly funny. And (as the YouTube commenters well know) damn sexy, too!In a video that smacks of “it’s Friday afternoon, why not?” four guys have remixed Lady GaGa’s Poker Face into an homage to Neutraface, the light and airy modern font that I’m sure you’re all very familiar with…or perhaps not.
Either way, the sight of four hirsute men reimagining the Poker Face clip to perfection (“You’ll read my, you can read my Neutraface…even if it’s bold italic”) is sure to make you smile, not least their brilliantly choreographed moves portraying “bold” and “italic”, which should be licensed for use on dance floors everywhere.
Check out this and other songs DD40 have released - on cassette tape, no less - at their website.
Speaking of design and Art, and Speed-the-Plow, aren’t these handsome posters for the American Theater Company’s new season? Images after the jump.
(continued)
Emily Gordon writes:
A few stars—and we don’t mean asterisks—are emerging in our punctuation-addressing contest to win Ben Greenman’s new book, What He’s Poised to Do. Here are the rankings of letter recipients so far, out of 82 entries and counting. What does this say about these marks, or about us as a society? We don’t know. All we know is, some of these little symbols are coming home with an armful of valentines (and a little hate mail), and some are Charlie Brown, weeping into their sandwiches. If you’re for the underdog, as we generally are, take a moment to send a note to, say, the solitary slash, or, for that matter, the ubiquitous but apparently invisible backslash. Send a salami to your manicule in the army! Keep those cards and letters coming.
The current rankings (to be updated frequently for those placing bets):
Ellipsis: 10
Semicolon (which has withstood some harsh attacks in the past): 8
Apostrophe: 7
Exclamation Point: 7
At sign: 3
Ampersand: 3
Asterisk: 3
Colon: 3
Parentheses: 3
Period: 5
em dash: 2
Grawlix: 2
Interrobang: 2
Manicule: 2
Question Mark: 2
Tilde: 2
Tied with one piece of fan (or unfan) mail each: acute accent, air quote, at-the-price-of, bracket, bullet, comma, curly quote, diaeresis, dollar sign en dash, exclaquestion mark, hyphen, interpunct, interroverti (formerly the inverted question mark), macron, percent sign, pilcrow, pound sign, quotation mark, smart quote, underline, Oxford comma.
No postcards, no wedding invitations, no junk mail, no J. Crew catalogue, no nuthin’: backslash, bullet, caret, copyright symbol, dagger, dash ditto mark, degree, ditto mark, double hyphen, inverted exclamation point, guillemets, lozenge, number sign (number sign! that’s the hashtag you use so shamelessly!), the “therefore” and “because” signs, slash, solidus, and tie.
Here are some stark and potentially upsetting images of those characters who have received no mail. Can you look into their fragile strokes and deny them the notice they crave?
\ • © ^ ° † ‡ « » = 〃 ⁀ ◊ ∴ ∵ ¡ # / ⁄
Note: We realize that some of these marks are really less punctuation than they are typographical elements. But since they’re getting letters, or we think they should, we’re including them.
(continued)
Pollux writes:
“Pilcrow” is a strange word for the punctuation mark used to signify new paragraphs. Lucy, one of the letter-writers in our ongoing contest in which you address the punctuation mark of your choice, had to look it up. We did, too. Where does it come from?
The words “pilcrow” and “paragraph” may have a common ancestor. Walter William Skeat, in his Notes On English Etymology (1904), theorizes how the Latin paragraphus (“paragraph”) eventually became
(continued)
The book, in large part, deals with letters: how they are (or aren’t) effective conveyances for emotional intimacy and truth. Along with the book, Mr. Greenman has launched a site called Letters With Character, which invites readers to write letters to their favorite fictional characters—most recently, Alyosha Karamazov, Madame Psychosis from Infinite Jest, and Ernest Hemingway’s Yogi Johnson from The Torrents of Spring.
Here at Emdashes, we love letters (especially those sent through the postal mail), but there’s something we love even more: punctuation. Indeed, when we discovered that the upside-down question mark—as in ¿Qué?—had no official name, we challenged you, our readers, to rename it, and now the frequent (you wouldn’t believe how frequent) googlers who seek this information know the answer: it is the interroverti, all thanks to you.
In the same spirit, we’re combining two of our top-ten passions in life and challenging you to write a letter to your favorite punctuation mark, or perhaps one you find elusive, insufficiently loved, or sound but overexposed. Tell it anything you want: your fears, your frustrations, your innermost desires. Then put it in the comments section below so we can read it, too. Deadline: August 16. (We know all too well that it can take a bit of time to write a good letter—or even a telegraphic telegram.)
Here is a partial list of possible correspondents, with the current tally of blushing recipients marked in bold, and also ranked here in descending order of popularity: the accent aigu, the air quote, the ampersand (3), the apostrophe (7), the asterisk (2), the at-the-price-of, the at sign (3), the backslash, the bracket, the bullet, the caret, the colon (3), the comma, the curly quote, the dagger, the dash ditto mark, the diaeresis, the dollar sign, the double hyphen (which is perhaps not what you thought it was), the ellipsis (10), the em dash (2)—toward which some jurors are slightly biased—or the en dash, the newly coined exclaquestion mark, the exclamation point (7), the full stop (2), the grawlix (2), the hyphen, the interpunct, the interrobang (2), the inverted exclamation point, the interroverti (formerly the inverted question mark), the little star, the macron, the manicule (2), the number sign, the parenthesis (((3))), the percent sign, the period (3), the pilcrow, the pound sign, the question mark (3), the quotation mark (or a pair of them), the controversial semicolon (7), the smart quote, the slash, the tilde (2), the underline, the Oxford comma, or any other mark close to your heart but not listed here. We will select the best letter and award the writer a signed copy of Mr. Greenman’s book, which may in fact contain the beloved mark in question. He may even add an extra one just for you.
Remember: Post your letter in the comments below by August 16, and you’ll be entered to win a signed copy of this exceptionally satisfying book of stories by one of our favorite writers. The best of the entry letters will all be collected in a post of their own, with sparkles, blue ribbons, and plenty of punctuation. If you can’t wait till mid-August to find out if you’ve won, and/or have friends who love letters and will love this book, of course, you can also order a copy.
Posting tip: You can use basic HTML tags to make line spaces; try the paragraph and break tags, as needed. If you don’t know how or would like our help, we are obsessive editor types and are happy to right the spacing for you.
Art note: The painting on the book cover is by Alyssa Monks, whose portraits of women and men and bodies and children and water and funny faces are scorchingly beautiful.
Factual note: We realize that some of these marks are really less punctuation than they are typographical elements. But since they’re getting letters, or we think they should, we’re including them.
Related posts and links:
Short Imagined Monologues: I Am the Period at the End of This Paragraph. [Ben Greenman, McSweeney’s]
Exciting Emdashes Contest! ¿What Should We Call the Upside-Down Question Mark?
Our in-depth coverage of punctuation—five years and counting!
More Emdashes contests, giveaways, and assorted bunk
Is That an Emoticon in 1862? [NYT/City Room]
Martin Schneider writes:
Recently Ezra Klein, Ta-Nehisi Coates, Conor Friedersdorf, and Andrew Sullivan have been blogging about New York City's overweening cultural clout and—interesting, this—the tendency of its residents to behave in a smug manner.
I must say, the discussion has been extremely disappointing, and I came away from it feeling frustrated, annoyed, and not a little insulted. I guess it is helpful to find out how much people dislike you for reasons that seem insufficient or inaccurate. Such is the power of cultural envy, or something like cultural envy.
The discussion proceeded along the following lines: Friedersdorf wrote about New York's worrisome centrality in all cultural matters and its pernicious effects on other major cities. Sullivan weighed in, agreeing and complaining about how "irritating" New Yorkers' "narcissism" is. Accepting New Yorkers' smugness as a given, Coates then wrote a fairly empathetic post in which he gamely tried to put that
(continued)Hello! We are media enthusiasts and culture addicts—not to mention classically trained (as we like to say) professional journalists. This is our collection of generally civilized conversations about magazines, movies, politics, punctuation, and other things that stir us.
You'd like to read more about us individually? That's so nice! Here you can learn a lot more about the Emdashes team, the mysterious-sounding names of our daily and non-daily columns, and our guest contributors.
We welcome tips, questions, and comments, and are always looking for ardent new contributors who care about letters (postal, typographical, admiring, literary, and tough-love). Here's how to contact us.
Occasionally, we host book giveaways, and review books here as often as we can. Publishers, please e-mail us and we'll send you an appropriate mailing address.
They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is currently written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. (Unsigned posts through October 2008 are by Emily Gordon.)
The site is designed and maintained by House of Pretty and illustrated by Jesse Ewing for Inkleaf Studio. Additional drawings are by Carolita Johnson and Pollux (who also draws our daily comic, "The Wavy Rule"). The kissable Emdashes logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Everything you tell or send us is off the record unless we ask for your permission to use it.
T-shirts! The Emdashes Emporium at CafePress.