That’s how many years ago—come December 31—I founded Emdashes. (Here’s that story.) As Clickhole would say, Wow! Meanwhile, you may be here seeking my sentences, and I’ll happily provide some. Incidentally, my LinkedIn profile is here, should you want to add me to your professional network. I tweet at @emdashes and have a passel of Tumblrs, including The Beautiful Sentence and Obscure Controversies.
I’m a journalist, critic, copywriter, poet, and editor. My most frequent subjects have been design and technology, books and writers, theater and movies. Many of those stories are now in the Lexis-Nexis Federal Penitentiary. But some of my journalism and feature-writing clips are in the green footer below and in the posts tagged “Clips.” I’ve interviewed Edward Gorey, Nick Hornby, J. K. Rowling, François Mouly, and great designers under 30, among many others.
Here’s my theater criticism for Time Out Chicago; liveblogging for a hyperlocal-business conference; features and interviews about graphic design for Print magazine; and vintage but sweet-smelling book reviews for Salon. For NYCgo.com, I did this slideshow on the Mermaid Parade and celebrated the lindy-hop legend Frankie Manning.
On the advertising and digital marketing side, as managing editor of Ogilvy & Mather’s brand newsroom, I edited, art-directed, and co-written hundreds of pieces of content—blog posts, landing-page copy, infographics, social assets, etc. You can get a taste of the work I’ve overseen from this SlideShare recap of our live conference coverage, and these parallax infographics for IBM Cloud.
I’ve ghostwritten blog posts for large B2B companies and reported features for business magazines. While helping the Rockefeller Foundation launch its 100 Resilient Cities initiative, I interviewed architecture critics about resilient buildings. I’ve also written a lot of copy for e-commerce and email marketing. As a Groupon staff writer in the site’s salad days, I wrote droll profiles in its giddy house style. I also created many editorial and marketing e-blasts for the art site 20×200. I write song parodies that, to date, no one has paid for, and am an occasional occasional poet.(continued)
Bill Haast, 100, Florida Snake Handler, Is Dead
Snake Handler Bitten by One of World’s Most Poisonous Vipers
Snake Handler Hospitalized After Suffering 102d Bite
Snake Handler Dies of Bite, As His Father-in-Law Did
Snake Handler Recuperating
Jolo Journal; When the Faithful Tempt the Serpent
Kentucky Man Killed by Rattler In Rite of Snake-Handling Cult
Defiant Snake Handler Dies
SQUEEZED BY AN ANACONDA; A TRYING MOMENT FOR AN EXPERT SNAKE HANDLER
Drought means booming business for Southern California snake handlers
SNAKE BITES A SHOWMAN; “Rattlesnake Pete” Gruber Thought to be Dying at Rochester
Zoo Burglar Tries to Steal Deadly Cobras; Mystery in Raid on the Bronx Reptile House
CHURCHES CHIDED ON MATERIAL AIMS
One African Takes Fangs Over Fido As a Sentry
Harold Ramis says ten. (The screenwriter, Danny Rubin, invites you to pony up to find out what he thinks.) These folks say eight years, eight months, and sixteen days. My favorite estimate comes from this brilliant breakdown, which gives it as 12,403 days of Sonny and Cher and sweet vermouth on the rocks with a twist, or almost 34 years. Poor Phil. He really earned that happy ending.
How To Make a Caveman or Cavewoman Costume (“To top the costume off, make sure to make your hair frizzy and messy much like how cavemen wore it back in the day. Finally, you can opt to carry a wooden club or crude stone axe. Don’t forget to act like a caveman by walking funny and by speaking gibberish.”)
Martin Schneider writes:
It was a curious scene Monday night at 92Y. Steve Martin and Deborah Solomon, who is responsible for the "Questions For" feature in The New York Times Magazine, were slated to entertain a mostly filled Kaufmann Concert Hall (and, via simulcast, many other viewers at synagogues around the country) with an hour or so of lively chat.
It took only a few minutes for Solomon to alienate the audience thoroughly.
Solomon's strategy was to treat the event like a book report, covering, almost chapter by chapter, Martin's new novel about the art world, An Object of Beauty. As Martin pointed out, it was wise to assume that the(continued)
Hello! I’m Emily Gordon, an editor, critic, copywriter, and pre-web internet nut. Emdashes, born in 2004, spent many years as a New Yorker fan blog. The project garnered some nice compliments and press.
The blog’s now treading the territories of punctuation, publications, movies, design, and other things that stir me.
Over the years, I’ve worked with a brilliant brigade of culture writers, editors, and artists. You can read all about the people who've helped build Emdashes here at “Who We?” (That’s a New Yorker joke. Old habits die hard.)
I welcome submissions, questions, corrections, and ardent, obsessive contributors. I also host occasional book-related contests and giveaways. Questioners and publishers, just email me.
Jennifer Hadley designed the original Emdashes pencil logo, based on a 1943 Dorothy Gray ad.