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with questions for the New Yorker senior library staff, who will be answering them here. The first column will appear very soon; look for it, then dare to submit your own. Want your query to be pondered and investigated at the heart of the brain trust? (If I add "the belly of the beast," we'll have a Bodies-worthy anatomical mixed metaphor on our hands.) Here's your chance. I'm obviously screening questions, so make yours a good one. Feel free to be anonymous; just let me know what you prefer.
Also, via Boing Boing, it's Chico Marx on the piano—literally, on the piano.
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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Founded by Emily Gordon, edited by Martin Schneider, designed by House of Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.