The Basics:
About Emdashes | Email us
Best of Emdashes: Hit Parade
A Web Comic: The Wavy Rule
Features & Columns:
Headline Shooter
On the Spot
Looked Into
Click on the image for a detailed view! I was fascinated by Lawrence Wright’s recent New Yorker piece, called “Lithium Dreams,” on Bolivia’s lithium deposits and the political, environmental, and financial implications associated with owning these riches. (continued)
Click on the image for a detailed view! (continued)
Jonathan Taylor writes:
One holiday season of the high 1990s, I drove over from New Orleans to rendezvous with some friends at the Beau Rivage casino in Biloxi, Mississippi. I had to head back late the same night to catch a plane the next morning. But after an evening on the casino floor, back in my friends' room I realized I had dropped my keys— (continued)
Click on the image for a detailed view! (continued)
Pollux writes:
“The Empire Diner, the world’s finest and possibly hippest Diner, is famous not only for its outstanding atmosphere, but also for great food, top notch service, and being a homestyle, basic-food restaurant.” So proclaims the website of Empire Diner, which forms the backdrop of the March 22, 2010 cover of The New Yorker.
The cover artist, Jorge Colombo, renders Chelsea’s Empire Diner into a glowing, nocturnal haven, the windows of which are illuminated with bursts of grays and dark pinks. The reflection of a traffic light is visible on one of the Diner’s windows, emphasizing the perpetual movement of cars on the road. (continued)
Click on the image for a detailed view! (continued)
Click on the image for a detailed view! (continued)
Jonathan Taylor writes:
At the NYRBlog, Janet Malcolm with four packed paragraphs of "Thoughts on Autobiography from an Abandoned Autobiography":
When one's work has been all but done—as mine has been for over a quarter of a century—by one brilliant self-inventive collaborator after another, it isn't easy to suddenly find oneself alone in the room...
The "I" of journalism is a kind of ultra-reliable narrator and impossibly rational and disinterested person, whose relationship to the subject more often than not resembles the relationship of a judge pronouncing sentence on a guilty defendent. This "I" is unsuited to autobiography. Autobiography is an exercise in self-forgiveness. The observing "I" of autobiography tells the story of the observed "I" not as a journalist tells the story of his subject, but as a mother might.(continued)
Jonathan Taylor writes:
Flavorwire marks a moment in time: the first New Yorker cartoon about Lady Gaga, by David Sipress. (h/t a message from Jessica Ferri.) (continued)
Click on the image for a detailed view! (continued)