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Now here's a man with a good project:
Several months ago, I decided to read every issue of The New Yorker in search of chiastic observations and insights. This project will take many years to complete, but what an exhilarating time I've had already! I'm getting a whole new education, as I read articles I would've never glanced at before. Some wise person, whose name I can't recall, once said that when you study one thing deeply, you tap into a vein of knowledge that extends infinitely beyond your original scope of interest. That has happened again and again over the past ten years, and will surely continue as my quest continues. As I find chiastic quotes in The New Yorker, I'll post them here.
out of the closet of obscurity and into the world of popular usage. If there's a precedent for what he's trying to do, it's oxymoron, a once-obscure word that is now known by almost all literate English speakers. Grothe stumbled upon the word chiasmus nearly ten years ago and has spent the greater part of the past decade in the grip of this fascinating literary and rhetorical device.
Hello! We're a small band of culture writers, editors, and artists based in New York, Chicago, and Los Angeles. Emdashes, which spent its formative years as a New Yorker blog, is our collection of conversations—mostly civilized—about magazines, movies, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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