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It's good to see Hurlyburly—David Rabe's 1984 play recently revived at the Acorn by Scott Elliott, with Wallace Shawn as Artie—provoking thoughtful commentary. I liked much of the New York Observer interview with Ethan Hawke and Bobby Cannavale (the current stars) about postfeminist male rage and peer pressure, especially Hawke's blunt comment about exactly what it is about us that makes men angry—I'd never thought about it quite that way before, and it's very useful. And John Heilpern's review the same week (both pieces are front-page news—God save the Observer!) is first-rate vivid, thoughtful theater criticism. What's more, it starts "At three and a quarter hours, Hurlyburly is longylongy." Ha! Dorothy Parker ("Tonstant Weader frowed up") would certainly grin. Heilpern on Shawn:
And there's the older cheeseball producer, Artie, who's Wallace Shawn in a ludicrous wig. I felt tempted to call out, "Come on out of there, Wally! Come out from under that wig—we know it's you!" But at first I didn't recognize him in his sunglasses, and when I did, he made me laugh at terrible things.
Artie enters with a lost teen waif named Donna (Halley Wegryn Gross) whom he found in an elevator. "You want her?" he asks his friends, explaining that he figured he would drop her by and they could keep her, like a care package.