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I mean it. Let's see how I can best entice you. It's a play that's not expensive ($15! amazing seats). It's very, very funny and quite moving. It's about existential despair, and the costumes are excellent. There's a wig and low-cut dresses and a crooked mustache. It's on the Upper West Side (78th Street Theater, just off the southeast corner of 78th and Broadway). It's by a Canadian playwright named Morris Panych. (Canadians: funny. Can't deny it.) The women are hot and have great comic timing; the men are debonair and never stutter in their long waterfalls of dialogue. The play's tagline is "One man on a ledge, twelve people who could care less." Doesn't sound funny? Oh, but it is. Panych's publisher puts it well: "A fast-paced, sophisticated and hilarious play—a man's contemplation of suicide leads to a charming and surprising ending." Here's a plot synopsis:
7 Stories is a comedy that tackles the issues of morality and the meaning of existence. The play opens with a man standing on a ledge of a building on the verge of jumping to his death. His silence is broken when a bickering couple burst from their window in the middle of an arguement. This begins a domino effect of eccentric characters coming out to engage the man on the ledge, oblivious to his state and consumed with their own lives.
For those who find pretension and artifice off-putting, who feel that theatre doesn't neccesarily need to be handled in a reverential way, who tire of its high expense coupled with an all-too-often low pay-off—Rocketship is the night for you.
Rocketship is a jam session for actors, a truly accessible, eclectic, ambitious night of theatre. In the same way that minor league baseball attracts those who love the smell, the feel and the passion of the game itself—Rocketship was created by and for those who feel the same way about the theatre.
Rocketship pulls no punches, but relies on the old-fashioned premise that magic can happen when the actor, the text and the audience collide.