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I liked this Times obit of the 83-year old Hoffman, who championed good poetry during a time when lady editors were quite a bit more hampered by lady-ness than they are now:
Elizabeth McFarland Hoffman, who as poetry editor of Ladies' Home Journal sandwiched the work of W. H. Auden, Adrienne Rich and Sylvia Plath in between "Is Your Marriage a Masquerade?" and "Bing Crosby's Kitchen for His Bride," died last Thursday in Philadelphia.
...
While Ms. Hoffman was at Ladies' Home Journal, from 1948 to 1962, the magazine published at least a half-dozen poems in each monthly issue. Major 20th-century writers whose verse appeared there included Marianne Moore, John Ciardi, Mark Van Doren, Randall Jarrell, Maxine Kumin, Edna St. Vincent Millay, Walter de la Mare, Galway Kinnell, Maxwell Anderson and John Updike.
Ms. Hoffman's own poems, published under her maiden name, also appeared in the magazine. She left Ladies' Home Journal in 1962, after its new owners stopped publishing poetry.
Usually set in a box in the middle of a page, the poems created some arresting juxtapositions. In the August 1950 issue, "Secrets," by Auden, follows an ad for Velveeta. In September 1956, "Where the Bodies Break," by Mr. Kinnell, shares a page with "How to Make 10 Tantalizing Butter Waffles With That Tender Melt-Away Texture."
Readers of the June 1953 issue, which featured "A Glass of Summer Daisies," by Jessamyn West, could, a page later, contemplate the question, "Did you wake up today with 'morning mouth'?"
The magazine had a history of such juxtapositions. Under Edward Bok, a Pulitzer Prize-winning writer who edited Ladies' Home Journal from 1889 to 1919, it published fiction by Sarah Orne Jewett, Bret Harte and Rudyard Kipling alongside articles on childrearing, Jennifer Scanlon, the author of "Inarticulate Longings: The Ladies' Home Journal, Gender, and the Promises of Consumer Culture" (Routledge, 1995), said in a telephone interview yesterday.
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