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Bryan Curtis: "Would Eustace Tilley shop at Target?" Read on.
Update: The Chicago Sun-Times makes its views on the subject pretty clear in the hed: Target, New Yorker Cross Line.
What do you think? I wonder if the magazine will do one of its rare letters pages for this one; I'm doubting it. I find the Target ads a little distractingly big and bright and, well, red, but I think people can tell the difference between advertising and editorial in this case, especially since Target has such an unmistakeable logo. I feel mildly concerned that this doesn't bother me more, and the pages should probably all be labeled "Advertisement," but I'm not particularly outraged. I guess the advertorial blur of my commodified-dissent upbringing has pretty well seeped into me, after all. If Target started putting text into those ads and that was ambiguous and quasi-editorial, then I'd raise the red (concentric-circled) flag. If any of you want to send in your views to be aired on Emdashes, I'll consider them.
Here's my shameless reproduction of the Times piece from last week, too.
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Hello! We're a small band of culture writers, editors, and artists based in New York, Chicago, and Los Angeles. Emdashes, which spent its formative years as a New Yorker blog, is our collection of conversations—mostly civilized—about magazines, movies, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Reviews: theater writing (for Time Out Chicago)
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
- Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
- Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
- Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Interviews: four up-and-coming designers under 30 (for Print)
- Profile: novelist and dance critic Laura Jacobs (for Newsday)
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