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Look at me well; in sooth I'm Beatrice!

Filed under: New Yorker Festival

You know how, in your twenties, you house-sat at every opportunity both to escape your own tiny apartment and to get to live in someone else's world for a little while? I'm doing something like that this week at Beatrice, where I'm covering the New Yorker Festival from now till whenever I start bumping into things in a grinning, satiated stupor, like Woody Allen in Sleeper post-Orgasmatron. Do come over, won't you?

Also, as you can see, the deli.cio.us categories are back! It'll take a while to fill in the missing ones from the monthlong Dataless Dark Ages, but they'll be filled in, never fear.

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Who we?

Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

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Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
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Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
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Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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