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Don't miss Sasha Frere-Jones' review of the new Fiona Apple album:
“Tidal” was uneven. Apple was nineteen when she recorded it and had a teen-ager’s sense of drama, which sees the world ending whenever a relationship does; she did not yet know that “invade your demeanor” is a phrase that God never intended anyone to say out loud. But she had a lusciously capable voice, a unique sense of melody, and a percussive style at the piano—her main accompaniment. As a child, she taught herself to play piano chords by buying sheet music and translating guitar tablature into notes, a backward method with a happy result: she plays lots of satisfying clumps with her left hand and has little use for the twee right-hand flourishes that can destroy a good standard in a bad cabaret.
Colin Meloy: How many struggling actors are out there tonight?
[Cheers]
Meloy: How many struggling English majors?
[Large roar]
Meloy: How many struggling botanists?
[Scattered chuckles]
Meloy: See, there aren't any. Why aren't you all botanists? They're not struggling. You can put your money on the botanists.
Petra Haden: How many are just—struggling?
[Everyone]
[Meloy puts fist to heart and quips, but gently]
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