Emdashes. The New Yorker between the lines
Best of Emdashes: Hit Parade
Weekly: Pick of the Issue
Bimonthly: Ask the Librarians
Submit a question for the next column.
Frequently:
Headline Shooter
Seal Barks
Eustace Google
Looked Into
Back-and-forthing in Slate some years ago, in a dialogue about capitalism's agenda, free speech, the Bush administration, and the illusions of language that suddenly intensifies with the changing dates (September 10 to 13, 2001).
Who we?
Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.
We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.
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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.
A few clips
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
- Proposal: A more attractive MetroCard (for A Brief Message)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands (for Print)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
Tell me more
They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
Primary sources
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Edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
The Rossosphere
- Resistance Is Fertile
- Mick Stevens: I Really Should Be Drawing
- Cartoonist Michael Maslin's homepage
- Alex Ross: The Rest Is Noise
- Sasha Frere-Jones
- Matthew Diffee's HuffPo blog
- The New Yorker Magazine in the 1930s
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- I Hate the New Yorker
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- Technorati: New Yorker
- Link to suggest? Email it!
Comments
sorry, emily, off-topic but i'll have you know that i don't believe i'll ever get to see "cowards bend the knee"--either it's madly popular or netflix carries just two copies of it!
Ah, Guy Maddin is never off-topic! Netflix better get its priorities straight pronto or we're going to have to send them barrages of hockey pucks till they surrender. Have you seen his Dracula? Mesmerizing.