Emdashes. The New Yorker between the lines
Best of Emdashes: Hit Parade
Weekly: Pick of the Issue
Bimonthly: Ask the Librarians
Submit a question for the next column.
Frequently:
Headline Shooter
Seal Barks
Eustace Google
Looked Into
Anthony Lane is no Milk Dud for the blog Cinematical, which awards Anthony "Don't Put Your Daughter on the Stage, Mrs. Worthington" Lane the #2 spot (after Ebert) in its list of seven great movie critics. I cannot agree with the entirety of the praise (I think Denby is the better writer), nor with the complete absence of Stuart Klawans or Jonathan Rosenbaum. I do, however, agree that Stephanie Zacharek (whom I know) is superb and underrated and well deserves mentions, awards, and a lifetime supply of red lipstick from France. Here she is on Walk the Line. Speaking of ladies: Hey, guys, what happened to fostering women film critics at The New Yorker, even in the short listings in Goings On? I haven't seen many of them lately. Zacharek is a jewel in Salon's still-considerable crown, but there's an obvious move to be made here.
Who we?
Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.
We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.
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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.
A few clips
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
- Proposal: A more attractive MetroCard (for A Brief Message)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands (for Print)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
Tell me more
They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
The Rossosphere
- Resistance Is Fertile
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Comments
The NYer's television critic is a woman and her femininity doesn't seem to help or hurt her do her job, which I believe she does badly. There are many better women writing about television, like Dana Stevens (Slate) and Heather Havrilesky (Salon). Interersting that so much of the pop culture criticism worth reading is on the web rather than in print. (I'm thinking also of the list you linked to, which I agree is a little off.)