Emdashes. The New Yorker between the lines
Best of Emdashes: Hit Parade
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Looked Into
"And Grant is wonderful, Russell a joy, but Bellamy on this umpteenth viewing is a revelation. His slow delivery stands out against all the rapid-fire verbal assaults, and I do believe he steals almost every scene where Grant is ostensibly stealing the rug out from under him. You really do have to be smart and talented to play someone this dumb."
Nicely put, Noel Vera!
If I have to tell you what movie this is, well, you know what Louis Armstrong said about jazz. Still, there's a DVD I hadn't noticed before with (possibly crappy, but I'm obviously buying it) extras. Looky, image-quality comparisons and snazzy stills are here. I will never, never, never grow tired of watching this.
Who we?
Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.
We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.
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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.
A few clips
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
- Proposal: A more attractive MetroCard (for A Brief Message)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands (for Print)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
Tell me more
They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
Primary sources
The New Yorker
Events listed by the magazine
Web resources: New Yorker writers and artists
Books, Organizations, &c.
Founded by Emily Gordon, edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
The Rossosphere
- Resistance Is Fertile
- Mick Stevens: I Really Should Be Drawing
- Cartoonist Michael Maslin's homepage
- Alex Ross: The Rest Is Noise
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- Matthew Diffee's HuffPo blog
- The New Yorker Magazine in the 1930s
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- I Hate the New Yorker
- Ben Yagoda's homepage
- Access My Library
- New Yorker haiku
- Modern Spectator
- Map: Caption Contest Winners
- Technorati: New Yorker
- Link to suggest? Email it!
Comments
Em, you're quite the gal. If I thought you were a bit of a geek for being so TNY obsessed, I didn't realize you were MY kind of geek.I LOVE this movie. (I got all pissy about someone mentioning it might be a candidate for a remake.) The best dialogue ever. (PS- I've got nothing against geeks! love'em.)
Thanks for the compliment! Yes, I revel in my screwball-comedy geekdom. Don't get me started on my other most favorite thing in the world, The Queen's Gambit. I may be into The New Yorker, but when it comes to Walter Tevis, I really can't be shut up. Welcome to my three-track mind!