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Looked Into
I'm celebrating with coffee straight from the source, Cafe du Monde, which, I recall, kept its online store running even right after the hurricane. Order some chicory coffee now, along with the cafe's legendary beignet mix. Yum!
Joining the recent cover flap, Louisiana's Shreveport Times has reprinted artist William Joyce's original story as well as his already reported indignant response ("Louisiana had received its share of coverage lately, I was told. They tried to find a place for it inside the magazine. Everyone said they were sympathetic. But nothing happened. So we've been shunted aside again").
I, too, think a Mardi Gras cover would have been right for this week. Nevertheless, the magazine's continuing coverage of Louisiana in general, and New Orleans in particular, has been in-depth and exemplary. Katrina's environmental implications, the bars that stayed open, the pregnant girls who live in the heart of more than one kind of storm—it'll be a long time before I forget these New Orleans stories in The New Yorker, because they were done so especially well, even for a magazine that does things well pretty often.
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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.
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A few clips
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
- Proposal: A more attractive MetroCard (for A Brief Message)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands (for Print)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
Tell me more
They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Comments
ditto on the props re: new orleans coverage. the chicory coffee is the bomb, but the beignets never taste as good as when you're there, under the tent...making me sad for my favorite place...need some coffee with chicory.
em---i know the 'brew master' from the 'cafe du monde..' they are SO nice there (did bit of pr work for them)...keep publicizing them! may be able to get you some free coffee :)-kathryn