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Your eyes and ears for the 2006 festival

Pilkington Man, Electrified

Filed under: Headline Shooter

For those following the explosion of Pilkington homages that makes Guy Fawkes look like Arbor Day, here's a brand-new tribute (link's to the MP3) by Very Tasteful Productions that transcends Ricky's mashup/remix suggestion altogether and simply rocks out. I'll take a moment here to imagine Stephen dancing to this, a smile of bliss on his goofy face.

3 comments

Comments

Have you seen the new Entertainment Weekly? Ricky gives a list of his favorite albums, and there's a great picture of him with Aladin Sane makeup on.

Jim DonahueMarch 22, 2006

Oh, I must get it! Ricky fascinates me; I spend a fair bit of time emailing with a fellow Ricky Gervais Show follower debating how much rage he really has and how much is put on, when he uses it to his advantage, and when it does him in. Also, of course, How Much Karl Is Acting, which, we've concluded, is All the Time.

EmdashesMarch 23, 2006

These Very Tastful guys are awesome. I was pleasently surprised.

AnonymousMay 24, 2006

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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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