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So he told the Boston Herald. But we already knew that. More reassuring news:
HERALD [Jesse Noyes]: A lot of veteran journalists will tell young people looking to get into the business don’t do it, find a different career, it’s not worth it. Are you one of those people?
REMNICK: No, I would never do that. I think it’s very hard, and we’re in the midst of a lot of systemic and technological change that’s causing a lot of people to get - let’s not be polite about it - fired or retired before their time. And I think that’s what they’re saying, that it’s a tough business. But I think if you are, if you have a hunger to do this work and maybe have a little talent, and you have drive, which is even more important, I couldn’t think of anything better. I’ve had a - you know, I’ve been very lucky. I totally admit that, but I’ve just had enormous fun. It’s been a great life. So how could I ever just talk anybody out of it?
Hello! We're a small band of culture writers, editors, and artists based in New York, Chicago, and Los Angeles. Emdashes, which spent its formative years as a New Yorker blog, is our collection of conversations—mostly civilized—about magazines, movies, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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