Best of Emdashes: Hit Parade
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Headline Shooter
Seal Barks
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Looked Into
New York sweltering
Sweet and cool relief arrives:
Zesty fall-themed Talk
Haiku leave so little room for exposition! Also, too much like ad copy, too iambic in the 7, and not strictly accurate. Besides, who ever heard of the third line of a haiku being a hyperlink, except maybe at Brown? How about:
Trees lose last few leaves
Free boxes for poetry?
Turn toward Craigslist
I couldn't let this week pass without pointing out that in the current issue there's a Talk of the Town about poems written on—not on as in with a permanent marker on, but in the sense of "about"—moving boxes. (Moving-boxes, that is, not gerund object.) And that Talk is written by Tom Bartlett, a pal whose Minor Tweaks is a consistent source of amusement, reassurance in the occasional sanity of man, and the backs of strangers' heads. I love this story; public poetry is going around, I think. Remember that mathematical puzzle-formula that inspired a poetical internet explosion? (Don't make me say meme.)
Only semi-unrelated: The History Boys! Go see it!
I'm Emily Gordon, reachable at emily@emdashes.com.
I'm an editor at PRINT magazine in New York City. I've worked at The Nation, Newsday, PEN America, and Legal Affairs. I've written for the NY Times Book Review, Salon, The Washington Post, The Village Voice... continued
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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Written and edited by Emily Gordon (plus various guest contributors), designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.