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Your eyes and ears for the 2006 festival

Irvin Type Watch: Movie Edition

Filed under: X-Rea: Irvin Type Watch Tagged: movies, Rea Irvin, typography

I was looking, hungrily and with joy, at the conveniently downloadable PEF of the Film Forum schedule and noticed that the titles of the films seem, to my semi-tutored eye, to be in Rea Irvin's signature type. Take a look:

Is this Irvin type? If not, why not? While I do work at a graphic design magazine and could solicit the opinions of my fellows, I will present the question to you, possibly even better informed readers, first. This will be a recurring feature, which means that if you spot any type in the wild that you suspect to be a Masked Duck, I mean Irvin type, by all means, take a snapshot with your phone or make a screenshot with your mouse. I welcome your submissions! (Oh, and I've already got the one from Jane magazine's website, and will post it soon.)

Previously in Irvin Type Watch:
Who Is Behind You, NewYorkerFilter? [A mysterious new blog in our little family]
Make Your Address The New Yorker's [Irvinesque house-number signs]

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Who we?

Emdashes, founded December 2004 BY Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

No fear: Everything you say or send is off the record unless we ask for your permission to use it.

This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Founded by Emily Gordon, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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