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Welcome to the haiku synopsis of The New Yorker. Like many people, I enjoy reading The New Yorker on a weekly basis, but often feel like it could be more concise. For example, Seymour Hersh’s piece “Watching Lebanon” in the Aug. 21 issue was brilliant, original reporting on the thinking behind Israel’s bombing campaign in Lebanon. I think we can all agree that it does no disservice to the importance of the article to observe that, at 5077 words, it was roughly 5060 words too long. I hope to post these regularly. I’m still fiddling with formatting, and welcome suggestions. Preferably in haiku form.I like this one about the magazine’s recent celebration of conducting:
Onward And Upward With The Arts: Measure for Measure
By Justin Davidson
Conducting’s first rule:
Win hearts, earn respect, or else
Players will play you.
Bolton, England | A New Yorker article by Caleb Crain has peaked our interest in the Mass-Observation phenomenon and its relationship to football in Britain. Near the top of Crain’s treatment (see “Surveillance Society,” 11 Sept 06), “Anthropology of football pools” appears, tucked between “The aspidistra cult” and “Bathroom behaviour,” as one of the potential objects of study….Finally, because I get to do whatever I want, happy birth, Noah Lennox Baker! I’m sure, given your mum and dad, it was a dramatic entrance.
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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Comments
I loved the Mass Observation essay, content and form, too. But I’ve been too distracted to post on it.
As for the haikus, I was just thinking it’s a good dissertation test. If you can sum up your diss in a haiku, you’re good to go.