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A Painting Made From New Yorker Magazines

Filed under: Looked Into Tagged: art

It's abstract. The painter writes:

I started this piece in May or June of this year, first constructing the collage components, then picked it back up around early September to start painting, and finally came back to it last week to finish it up. I still need to trim the rope on the sides (you can see they aren't painted), but I think it's otherwise completed.

No title; oil on canvas, rope, torn up pieces of a New Yorker article on Iraq and a picture from a New Yorker article about redneck comedy.

Just before I started Emdashes, my sister Kate gave over a page of one of her famed collage calendars to New Yorker images.

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Who we?

Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

No fear: Everything you say or send is off the record unless we ask for your permission to use it.

This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

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Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Founded by Emily Gordon, edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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