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Despite the hoopla surrounding Jonathan Franzen’s “The Corrections,” I was unprepared for two aspects of it that no one had mentioned to me: how funny it was, and how feminist. (The ending, in which the widowed mother, shed of her marriage, is now ready to make a better life for herself at the age of seventy-five, is like a stiletto of ice slipping neatly into, and then between, the ribs.) On my bedside table now is Franzen’s “The Discomfort Zone,” a wondrous book of lively, intelligent, intimate—and funny—narrative essays, which has received in the Times two of the most bewildering reviews I’ve ever read. Franzen is never the hero of his own anecdotes, and he observes the world (and himself) the way the baby of a family often does: with a kind of ruthless, custodial affection. He is able to see how three different centuries have converged upon Americans and how disorienting that can be. Even the cover charms: on the jacket is a Victorian “Map of a Man’s Heart,” reprinted from McCall’s and looking like some jokey geography thought up by Lewis Carroll, with its “Broad Range of Interests,” its “Province of Deep Thought,” its “Memory of Mother Moat” and “Ravine of the Limited Take-Home.” There are few ways in, though the “Tunnel of Fetch and Carry” will get one across the memory of mom. It all makes me think that people do not have the wit and humor that they used to.I like you more all the time, Lorrie Moore.
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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Comments
I’ve got Dalton Trumbo’s “Additional Dialogue: Letters of Dalton Trumbo 1942-1962” on my bedside table. Unfortunately it has contributed to me living in the Los Angeles time-zone, even though I live in NY. If I don’t do curb my bedtime reading extravagance, I’ll soon be living in the Japan time zone!
“Bedside Reading” is delightful. I’m definitely going to take my cue from Nick Paumgarten’s reading list and check out “Oracle Bones.” (I’m also a Peter Hessler fan, so I don’t need much arm-twisting.) I hope “Bedside Reading” becomes a regular feature of the magazine’s website. I’m curious to know the reading tastes of the entire staff.