Emdashes. Modern Times Between the Lines.
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Or at least their voluminousness: What with the elections, the issue close of the magazine where I work, the story I was writing for same, the reading of the Roz Chast compendium, candy corn, a family episode, getting all my shoes repaired, Heartbreak House, the world suddenly lousy with enraging words and phrases, and the Grey Gardens DVD extras, legitimately New Yorker-related links have been piling up like so many leaves in a drainpipe. But like the rains that swept the city today, taking care of the last few hangers-on among the branches, so shall the next few posts dispose of these links, which are kind of tormenting me with their unpostedness. Telltale heartthrobs, if you will.
While you’re waiting, my friend Lisa Levy, who’s working on a very impressive book, reviews Courtney Love’s scrapbooky memoir for Salon.
About us
Hello! We're a small band of culture writers, editors, and artists based in New York, Chicago, and Los Angeles. Emdashes, which spent its formative years as a New Yorker blog, is our collection of conversations—mostly civilized—about magazines, movies, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Reviews: theater writing (for Time Out Chicago)
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
- Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
- Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
- Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Interviews: four up-and-coming designers under 30 (for Print)
- Profile: novelist and dance critic Laura Jacobs (for Newsday)
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- Carolita Johnson
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Comments
It’s weird, because she’s nothing like me, and nothing like anyone I know, but I find Courtney Love immensely likeable (when she’s not flashing her boobs or babbling incoherently). I think she’s got an amazing energy — maybe just too much of it to handle all by herself!
I’m a little scared to read the diary though — but I guess it’s in keeping with her personality to publish her autobiography in such “warts and all” format. And why not? With all the people crowding the world, why suffer alone?