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Filed under: Headline Shooter Tagged: Conde Nast, James Thurber, William Shawn
the secret life of walter 'i [heart] mean girls' mitty
I just got an e-mail from The New Yorker offering me a free poster of Lindsay Lohan (along with trying to get me to subscribe to GQ magazine). This, from the magazine that long thought color covers were too tacky for its image, and that still insists on sticking in an umlaut in words like "coördination." William Shawn, I imagine, is spinning like a high-end centrifuge in his grave. James Thurber, meanwhile, I suspect is probably laying in his grave quite titillated by the idea, wishing someone would smuggle a DVD player into his coffin so he could watch Herbie: Fully Reloaded.
Who we?
Emdashes, founded in 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.
We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.
No fear: Everything you say or send is off the record unless we ask for your permission to use it.
This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.
Some writing by Emily Gordon
- Review: A Gate at the Stairs by Lorrie Moore (for Newsday)
- Annotated slide show: a wet, festive 2009 Coney Island Mermaid Parade (for nycgo.com)
- Proposal: A better-looking MetroCard (for A Brief Message)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: Does a redesign of The New Republic mean a change of tune? (for Print)
- Interview: four online obsessives and visual cataloguers, Kate Bingaman, Nicholas Felton, Ellie Harrison, and John D. Freyer (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Interviews: winning New Visual Artists Eleanor Grosch, Zigmunds Lapsa, Christian Cervantes, and Kate & Camilla (for Print)
- Profile: lindy hop legend Frankie Manning (for Newsday, with Robert Fouch)
- Feature: Rea Irvin, illustrator, bon vivant, and The New Yorker's first art director (for Print)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: My Tiny Life: Crime and Passion in a Virtual World by Julian Dibbell (for Newsday)
- Review: Charles Dickens by Jane Smiley (for Newsday)
- Review: Jayber Crow by Wendell Berry (for Print)
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Report: The New Yorker's redesigned website (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Review: The Complete New Yorker (for Print)
- Interview: Matthew Diffee on the appropriately inappropriate cartoons of the The Rejection Collection (for Print)
- Interview: Roz Chast on Brooklyn, pysanky eggs, and animation (for Newsday)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Interview: Edward Gorey (for Newsday)
More clips.
Tell me more
They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Founded by Emily Gordon, edited by Martin Schneider, designed by House of Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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Comments
Hello. Good day
Who listens to what music?
I Love songs Justin Timberlake and Paris Hilton
Although this is spam, I'm keeping it because it contains a genuinely interesting question: Who listens to what music? At work, I've been listening to a lot more classical music than usual; NPR has a nice classical-music stream, though it skips (glitches? re-buffers?) sometimes, which is jarring. Also Francoise Hardy, Gloria Deluxe, and the collected work of the Nat King Cole Trio. Some excellent New Zealand bands a colleague introduced me to. Some live Decemberists recordings. "I Want It That Way." A gigantic boxed set of pop music of the '90s, which is unfortunately pretty unlistenable. And, of course, all of my colleagues' iTunes playlists. What I'm trying to say is, I need some new music for work. Note to self: Bring in more CDs.
Looky, in the comments I get to pretend I have a normal blog about myself and my music taste, instead of one dedicated to The New Yorker. How post-postmodern!