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Filed under: Headline Shooter Tagged: Conde Nast, James Thurber, William Shawn
the secret life of walter 'i [heart] mean girls' mitty
I just got an e-mail from The New Yorker offering me a free poster of Lindsay Lohan (along with trying to get me to subscribe to GQ magazine). This, from the magazine that long thought color covers were too tacky for its image, and that still insists on sticking in an umlaut in words like "coördination." William Shawn, I imagine, is spinning like a high-end centrifuge in his grave. James Thurber, meanwhile, I suspect is probably laying in his grave quite titillated by the idea, wishing someone would smuggle a DVD player into his coffin so he could watch Herbie: Fully Reloaded.
About us
Hello! We are media enthusiasts and culture addicts—not to mention classically trained (as we like to say) professional journalists. This is our collection of generally civilized conversations about magazines, movies, politics, punctuation, and other things that stir us.
You'd like to read more about us individually? That's so nice! Here you can learn a lot more about the Emdashes team, the mysterious-sounding names of our daily and non-daily columns, and our guest contributors.
We welcome tips, questions, and comments, and are always looking for ardent new contributors who care about letters (postal, typographical, admiring, literary, and tough-love). Here's how to contact us.
Occasionally, we host book giveaways, and review books here as often as we can. Publishers, please e-mail us and we'll send you an appropriate mailing address.
Tell me more
They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is currently written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. (Unsigned posts through October 2008 are by Emily Gordon.)
The site is designed and maintained by House of Pretty and illustrated by Jesse Ewing for Inkleaf Studio. Additional drawings are by Carolita Johnson and Pollux (who also draws our daily comic, "The Wavy Rule"). The kissable Emdashes logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World; PDF, p. 20)
- Feature: Rea Irvin: visionary art director, man about town, and New Yorker founding father (for Print)
- Report: Learning to read with comic books--that are edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Proposal: a better-designed Metrocard (for A Brief Message)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Micro-essay: on saving time through inspiration (for A Brief Message)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
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Comments
Hello. Good day
Who listens to what music?
I Love songs Justin Timberlake and Paris Hilton
Although this is spam, I'm keeping it because it contains a genuinely interesting question: Who listens to what music? At work, I've been listening to a lot more classical music than usual; NPR has a nice classical-music stream, though it skips (glitches? re-buffers?) sometimes, which is jarring. Also Francoise Hardy, Gloria Deluxe, and the collected work of the Nat King Cole Trio. Some excellent New Zealand bands a colleague introduced me to. Some live Decemberists recordings. "I Want It That Way." A gigantic boxed set of pop music of the '90s, which is unfortunately pretty unlistenable. And, of course, all of my colleagues' iTunes playlists. What I'm trying to say is, I need some new music for work. Note to self: Bring in more CDs.
Looky, in the comments I get to pretend I have a normal blog about myself and my music taste, instead of one dedicated to The New Yorker. How post-postmodern!