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April Fool's Reading: Di Piero, Svoboda, Simon, and You in the Audience

Filed under: On the Spot Tagged: books, events, poetry

Please join Speakeasy Poetry Series for an April Fool's Day reading with:

W. S. Di Piero, Terese Svoboda, and Rachel Simon

Sunday, April 1 @ 5:00 PM
The Bitter End, NYC
147 Bleecker Street (btw. Thompson & LaGuardia)

W.S. Di Piero's most recent books of poetry are Shadows Burning, Skirts and Slacks, Brother Fire, and Chinese Apples: New and Selected Poems (2007). He is the author of three collections of essays on literature, art, and personal experience: Shooting the Works: On Poetry and Pictures, Out of Eden: Essays on Modern Art, and Memory and Enthusiasm. He lives in San Francisco.

Terese Svoboda's books of poetry include Mere Mortals, Laughing Africa, All Aberration, and Treason.

Rachel Simon's first book of poetry, Theory of Orange, won the 2005
Transcontinental Poetry Award from Pavement Saw Press.

For more information: www.speakeasynyc.com

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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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A few clips

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Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
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Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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