Best of Emdashes: Hit Parade
A Web Comic: The Wavy Rule
Before it moved to The New Yorker:
Ask the Librarians archive
About Emdashes | Email us
Features & Columns:
Headline Shooter
On the Spot
Looked Into
Jerome Groopman’s an expert in How Doctors Think;
to diagnose a celiac, it’s smart to see links.
Those married philosophers from a few issues back
study truth, mind, and mystery. They have a knack.
(I’m glad to see that piece getting a bit of attention. I think it’s one of the most fascinating long profiles I’ve read in months, and superb writing by Larissa MacFarquhar.)
The New Yorker Conference? They’d like to know more.
At Dr. Freud’s house, you’ll roll on the floor.
(That is, there’s now an exhibit of New Yorker shrink cartoons hanging in Freud’s house. It’s good to explicate one’s own verse, don’t you think? Leaves no room for irresponsible critical misinterpretation.)
Hello! We're a small band of culture writers, editors, and artists based in New York, Chicago, and Los Angeles. Emdashes, which spent its formative years as a New Yorker blog, is our collection of conversations—mostly civilized—about magazines, movies, design, punctuation, and other things that stir us.
Want to know more about the people who contribute to Emdashes, and the secret meanings behind our column titles? All about us.
We welcome tips, questions, comments, and corrections, and are always on the lookout for ardent, obsessive contributors. Click here to email us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Everything you tell or send us is off the record unless we ask for your permission to use it.
Comments
I really do love your couplet technique.
In the words of Cole Porter, “C’est magnifique!”