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A Rolling Stone Gathers No Mossberg

Filed under: Eustace Google Tagged: Ken Auletta, technology

Perhaps the best reason to start a blog is to use all the nonsensical puns that are ever-present in your head but that your actual job must restrain you daily from using during the sober act of headline-writing. Anyway, remember Engadget founder Peter Rojas, quoted in this week’s story on Walter Mossberg by Ken Auletta? There’s a fetching photo of the two of them on Rojas’s blog. Technology reporter and Engadget contributing editor Cyrus Farivar is more critical of Mossberg, but acknowledges, “I get the impression that there’s a bit of jealousy amongst almost every journalist that I know…. The fact of the matter is that I respect what he does, but I don’t want his job.” Former Palm C.E.O. Donna Dubinsky, also quoted in Auletta’s piece, comments several times on the post, Farivar replies, and hey presto, a spirited dialogue.

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Who she?

I'm Emily Gordon, reachable at emily@emdashes.com.

I'm an editor at PRINT magazine in New York City. I've worked at The Nation, Newsday, PEN America, and Legal Affairs. I've written for the NY Times Book Review, Salon, The Washington Post, The Village Voice... continued

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A few clips

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Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Written and edited by Emily Gordon (plus various guest contributors), designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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