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"Addams Family" to be Musicalized

Filed under: Headline Shooter Tagged: books, Charles Addams, events, music, theater, TV

Reports Reuters:

"The Addams Family," a cartoon about an eccentric family that was made into a hit movie in 1991, is coming to Broadway as a musical.
The producers said "The Addams Family" musical was scheduled for the 2009-10 Broadway season. The libretto will be written by Marshall Brickman and Rick Elice, writers of the 2006 Tony Award-winning musical "Jersey Boys."

"The Addams Family," featuring characters such Gomez, Morticia, the butler Lurch and their servant Thing, a disembodied hand in a box, is the best-known creation of cartoonist Charles Addams which first became popular in the 1930s.
The characters, who relish the macabre and grotesque, have already inspired several television adaptations as well as the film starring Anjelica Huston and Raul Julia.

Here's a more extensive story from Broadway World, with biographies of the creative team. I reviewed Linda H. Davis's recent Charles Addams bio for Newsday.

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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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