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Why Dorothy Parker? Five Questions for an Expert
Filed under: Looked Into Tagged: Dorothy Parker, Dorothy Parker Society, events
DP: Next month is the 40th anniversary of Parker’s death and your organization is holding “A Journey into Dorothy Parker’s New York” on June 4. What exactly was Parker’s New York?
Kevin: That is what makes Dorothy Parker timeless. Her New York still exists: cocktail lounges, hotel lobbies, jazz clubs, magazine offices, crowded subway cars, long taxicab rides at night. Almost all the places she lived 40, 60, 80 years ago are still standing. You don’t have to go too far in Manhattan to find the milieu that she lived in. However, since the mayor’s smoking ban, the cigarette smoke has been removed from the picture.
…
DP: Is Parker still an important literary figure in 2007? If so, why?
Kevin: The fact is Dorothy Parker has never gone out of print. Work that she created before World War I is still on bookshelves. There are not that many American writers, male or female, who are in that company; certainly not a writer such as Parker, who had a limited output. I’ve often said that the reason Dorothy Parker is still read today, and remains popular while others of her era have been forgotten, is because she wrote about the human condition. Getting your heart smashed into a million pieces feels the same in 2007 as it did in 1927. Read the whole interview.
About us
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
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Tell me more
Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Writing on theater: reviews (for Time Out Chicago; imperfect but workable search results)
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
- Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
- Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
- Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Interviews: four up-and-coming designers under 30 (for Print)
- Profile: novelist and dance critic Laura Jacobs (for Newsday)
Blogroll highlights
- Box Office Boffo
- World of Pollux
- Jonathan Taylor
- Carolita Johnson
- Songs for blogroll lovers (more links)
- Follow us on Twitter
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- Get a t-shirt at the Emdashes store
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Comments
Hi Emily:
Thanks for the link to Dark Party. Kevin was a great interview and his passion for “Dot” shone through.
You’ve got a wonderful site here. I’m looking forward to exploring.
Best,
GFS3
Thanks! I’m fond of Kevin myself. His tours are top-notch, too!
This article finally motivated me to hunt up her last LA address (just a few blocks from where I’m writing this).
http://www.dorothyparker.com/la/dotla05.htm
Definitely worth a quick pilgrimage! The L.A. section of Mrs. Parker and the Vicious Circle is really sad.