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Ian McEwan Is Everywhere
Filed under: The Squib Report Tagged: books, Colum McCann, D.T. Max, David Foster Wallace, events, fiction, Ian McEwan, J.D. Salinger, Jonathan Lethem, Kathryn Harrison, Martin Amis, movies, podcasts
Within a day of purchasing it, I scarfed down Ian McEwan's newest novel (novella is possibly more apt), On Chesil Beach. I would explain that it's about inexperienced British newlyweds thrusting and parrying on their 1962 wedding night, but then devoted New Yorker readers already know this. (Here's a swell PDF version of the New Yorker excerpt; here's hoping you have the required fonts.)
I'd quite forgotten that the first chapter of McEwan's Enduring Love also appeared in The New Yorker, but the Complete New Yorker confirms (May 19, 1997). In his enthusiastic review of Chesil, Emdashes fave Jonathan Lethem proposes sending McEwan's opening chapters, "like Albert Pujols's bats," to the literary equivalent of Cooperstown; I'd wager it's Enduring Love he is thinking of first and foremost. Point being, The New Yorker has offered first-rate McEwan before. As for Chesil, I'd aver that you have to go back to his also-possibly-novella Black Dogs to find its gemlike equal in McEwan's oeuvre.
McEwan also pops up in D.T. Max's fine "Letter from Austin" about the Ransom Archive. Apparently TPTB in Texas slot working writers into various levels akin to blue-chip stocks: we're told that McEwan is rated as a worthier investment than Martin Amis, David Foster Wallace, and—gasp—J.D. Salinger! (Surely Chesil shores that status up, but have these arbiters read Saturday?)
In any case, last Friday, I caught McNally Robinson's presentation of Doug Biro's movie about On Chesil Beach (talk about innovative cross-promotion) at the Two Boots theater. The event started with a dramatic reading of a scene from the book by talented actors Darrell Glasgow and Jessica Grant, a rare treat. After the quite skillful movie, National Book Critics Circle president John Freeman led a rousing discussion about McEwan and Chesil Beach with director Biro and novelists Colum McCann and Kathryn Harrison (New Yorker contributors both).
If you missed that event, you can always go to the screening at Labyrinth Books on Wednesday, June 19. It should be good fun!
Note: For anyone eager for insights into On Chesil Beach, the June 3 edition of the New York Times Book Review podcast features a lively chat with McEwan, in which the author discusses the new book and his (very very) early fondness for the Rolling Stones.
—Martin Schneider
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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is currently written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. (Unsigned posts through October 2008 are by Emily Gordon.)
The site is designed and maintained by House of Pretty and illustrated by Jesse Ewing for Inkleaf Studio. Additional drawings are by Carolita Johnson and Pollux (who also draws our daily comic, "The Wavy Rule"). The kissable Emdashes logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World; PDF, p. 20)
- Feature: Rea Irvin: visionary art director, man about town, and New Yorker founding father (for Print)
- Report: Learning to read with comic books--that are edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
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