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Lizza's Gold: He Culls His Best From The New Republic

Filed under: Headline Shooter Tagged: masthead, Ryan Lizza

If, like me, you want to get the feel of this Ryan Lizza character in advance of his August 1 start as The New Yorker's Washington Correspondent, you'd do well to wander through the ten pieces the writer himself feels to be his finest. —John Bucher

From the New Republic intro:

After a nearly a decade...Ryan Lizza will leave us to become the Washington Correspondent for The New Yorker. From impeachment to the 2000 recount, from the White House to the presidential campaign, Ryan has covered it all, so we asked him for his favorite pieces from the past ten years.

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Who we?

Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

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Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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