Some weeks ago, when Emily and I were still roughly on POTI (what we call “Pick of the Issue”; it’s like POTUS, but without veto power) schedule, The Millions likened The New Yorker’s annual food issue to Sports Illustrated’s swimsuit issue. This take on the subject has never occurred to me, but it’s pretty charming. Do any of you feel that way?
Having now tamped expectations, I will say this year’s food issue was a good one. It arrived right on the heels of William Shawn’s hundredth birthday, for which I used the occasion to wax appreciative about him. Naturally, then, I was tickled to see an extensive article, dedicated to William Shawn, by John McPhee (a writer I must read more of) about the strange animals that McPhee and others have eaten. It didn’t, in the end, have much to do with Shawn, but that didn’t prevent the piece from containing quite a few eyebrow-raisers, which is inevitable when you explain the process of fricaseeing mountain oysters. (Clearly, this genre writes itself.)
I loved Patrick Radden Keefe’s Reporter at Large about flamboyant and improbably named apparent oeno-charlatan Hardy Rodenstock. Excavating an imbroglio heretofore limited to a self-regarding coterie is the kind of thing The New Yorker does best. Jane Kramer’s look at Claudia Roden, the esteemed British writer on Middle Eastern cuisine, seemed a bit cramped in places, but by the time the dust settled, I was glad I read it.
Now I’m hungry; off to plumb the fridge. —Martin Schneider
Hello! I’m Emily Gordon, an editor, critic, copywriter, and internet lover since 1992. Emdashes, born in 2004, spent many years as a New Yorker fan blog. The project garnered some nice compliments and press.
The blog’s now treading the territories of punctuation, publications, movies, design, and other things that stir me.
Over the years, I’ve worked with a brilliant brigade of culture writers, editors, and artists. You can read all about the people who've helped build Emdashes here at “Who We?” (That’s a New Yorker joke. Old habits die hard.)
I welcome submissions, questions, corrections, and ardent, obsessive contributors. I also host occasional book-related contests and giveaways. Questioners and publishers, just email me.
The original Emdashes pencil logo was designed by Jennifer Hadley, based on a 1943 Dorothy Gray ad.