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Two months ago, I alerted readers to the amusing fact that both Martha Stewart and Vince Foster managed to garner mention in The New Yorker a great many years before they achieved broader fame.
I’ve found another one.
Bobby Fischer became one of the most breathlessly discussed people in the world in 1972, when he beat Boris Spassky in Reykjavik, Iceland, to win the World Chess Championship in what someone recently called “a Cold War epic (of a particularly neurotic type).”
But if you want to know what people thought of him fifteen years before that, The New Yorker has the goods.
In the September 7, 1957, issue there appears a lengthy TOTT by Bernard Taper about the precocious titleholder of the U.S. Open Chess Championship, which a few weeks earlier Fischer had become the youngest person to secure. Titled simply “Prodigy,” Taper’s piece is very good, delving into Fischer’s mediocre academic record at Erasmus Hall High School and introducing readers to the extreme contrast between conventional chess and speed chess (here called “blitz”).
It’s a little like coming across an ancient copy of Sports Illustrated at an antiques store and finding someone like Terry Bradshaw in that great “Faces in the Crowd” feature.
Which reminds me. Sports Illustrated actually beat The New Yorker to the punch on Fischer, who was listed as a “Face in the Crowd” in 1956. —Martin Schneider
Hello! We're a small band of culture writers, editors, and artists based in New York, Chicago, and Los Angeles. Emdashes, which spent its formative years as a New Yorker blog, is our collection of conversations—mostly civilized—about magazines, movies, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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