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Festival: The Art of Jumping on Concrete

Filed under: New Yorker Festival Tagged: Alex Ross, David Belle, events, New Yorker Festival, The New Yorker

The "Parkour New York" event with David Belle happened at the same time as the Master Class on Profile Writing. I scurried over to Javits Plaza as soon as I could, hoping for a hyperactive last few minutes. By the time I got there, the event was more or less over. As the picture below demonstrates, the location was exceedingly well chosen.

I was due at the Joan Weill Center to see Alex Ross, but I took a few minutes to mill about (and dodge the occasional hurtling body). As it happened, some fellow was in the process of taking an arm's-length self-portrait with Belle; I intervened and took a more standard posed shot from a few feet away.

Then Belle wordlessly (I think he does not speak English) called for a group photo to commemorate the event. If you ever see any such picture (I'll be sure to post it if I do), I'm in there somewhere, certain to prompt in the other participants the pressing question, "Who the hell is that guy?"

Fortunately, Jason Kottke was there and therefore is able to provide a much fuller report than I can.

—Martin Schneider

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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.

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More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

Primary sources

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Edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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