Emdashes. The New Yorker between the lines
Best of Emdashes: Hit Parade
Weekly: Pick of the Issue
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Looked Into
The Fantastic Pickin' On Series
Filed under: Pick of the Issue Tagged: New Yorker Festival, The New Yorker
Pick of the Issue, our weekly selection of the best of each week’s issue of New Yorker (in other words, the pieces, cartoons, &c. we specifically recommend), has been on temporary New Yorker Festival-related hiatus, but will return soon for your reading pleasure. Meanwhile, what’s your pick of the issue this week?
Who she?
I'm Emily Gordon, reachable at emily@emdashes.com.
I'm an editor at PRINT magazine in New York City. I've worked at The Nation, Newsday, PEN America, and Legal Affairs. I've written for the NY Times Book Review, Salon, The Washington Post, The Village Voice... continued
I welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.
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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.
A few clips
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
- Proposal: A more attractive MetroCard (for A Brief Message)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands (for Print)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
Tell me more
They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
Primary sources
The New Yorker
Events listed by the magazine
Web resources: New Yorker writers and artists
Books, Organizations, &c.
Written and edited by Emily Gordon (plus various guest contributors), designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
The Rossosphere
- Mick Stevens: I Really Should Be Drawing
- Resistance Is Fertile
- The essential Jane Grant
- Newyorkette
- Matthew Diffee's HuffPo blog
- Sasha Frere-Jones
- The New York Public Library records
- Map: Caption Contest Winners
- New Yorker haiku
- Between the Squibs
- New Yorker database
- Technorati: New Yorker
- Wikipedia: The New Yorker
- The New Orcer
- Access My Library
- New Yorker Comment
- Alex Ross: The Rest Is Noise
- Paul Noth's Pale Force
- The New Yorker Magazine in the 1930s
- Link to suggest? Email it!
- I Hate the New Yorker
- Blog About Town
- Ben Yagoda's homepage
- Modern Spectator
- New Yorker Anti-Caption Contest
- Silence of the City
- Cartoonist Michael Maslin's homepage
- Chiasmus in The New Yorker
Comments
This week meaning the oct 15th issue, or the oct 8th issue?
Both! I bet you’ve written a thing or two you might want to tell us about.
Without question, POTI for the week of October 15th has to be Joan Acocella’s “Critic’s Notebook” review of Khmer Arts Academy’s new opera, “Pamina Devi.” I knew this immediately on reading Acocella’s beautiful description of the dancers “flexing their lovely fingers like spider chrysanthemums.”