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Norman Mailer, 1923-2007
Filed under: In Memoriam Tagged: books, cartoons, fiction, in memoriam, Lee Lorenz, newyorker.com, Norman Mailer, poetry
On the New Yorker website, Louis Menand reflects on the late Norman Mailer’s life and career. Mailer himself rarely contributed to The New Yorker, though. Until Tina Brown’s tenure, Mailer had published only two short poems in the magazine, both in 1961. There are just five bylines in all. As one of America’s most important postwar writers and a frequent object of public attention, he was far more often written about; a search on his name in The Complete New Yorker yields more than 100 hits.
Indeed, it would appear that Mailer had little interest in writing for the magazine. Perhaps he considered that a New Yorker byline would be incidental to his various projects—to remake American literature, to upend the battle of the sexes, to provide a channel whereby citizens could regain authenticity. Nevertheless, he’s enough of an icon to have served as the subject of a New Yorker cartoon—eight times. This 1997 Lee Lorenz drawing is apropos.
Mailer’s reputation doesn’t rest primarily on his novels (although I still plan to read The Naked and the Dead). Provocateur, mayoral candidate, co-founder of The Village Voice, journalist of genius, he did not squander his tenure on this planet. —Martin Schneider
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I'm Emily Gordon, reachable at emily@emdashes.com.
I'm an editor at PRINT magazine in New York City. I've worked at The Nation, Newsday, PEN America, and Legal Affairs. I've written for the NY Times Book Review, Salon, The Washington Post, The Village Voice... continued
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- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
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- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands (for Print)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
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Comments
After reading the most recent Paris Review interview with Mailer, my urge to read more of him was renewed. (Hey, it looks like you can download the 1964 interview at their website.) What the heck are the poems about??
Meanwhile, the New Yorker website has posted a good long piece on Mailer by David Denby—“The Contender,” from 1998—as well as two Mailer-themed Talks, one by Lillian Ross and Brendan Gill (1948!), one by Mark Singer (2007).
The poems are a little strange, both metaphorical and both “charged,” vigorous and confrontational. It’s a bit like reading Aesop if you had the feeling that Aesop might slug you if you didn’t react the right way.
Sadly enough, only his death inspires me to pull out the one book I have in my library…maybe I should go out and buy another. Good that Sig. Wolcott praises the man.
He’s an odd one that Mailer, to me, anyway. He’s sort of ensconced somewhere in btwn the truly talented of yesterday and the post modern way of entering the consciousness via sheer protean will.
I shudder to think when my uber idol Gore Vidal passes…gawd…
Mailer, what a force of nature…c’est vrai.
Bay/
Our shoddy media is reporting in obits that Mailer wrote a 1963 short story called ‘The Witch of Westport” for the New Yorker that was optioned by ABC-TV for the creation of the sitcom Bewitched in 1964.
what? where did this come from?
Until Tina Brown’s 1980s tenure, Mailer had published only two short poems in the magazine, both in 1961. There are just five bylines in all from 1980s -2007.
Mailer’s story, The Witch of Westport was originally published in Harper’s in 1963, NOT the New Yorker. It featured an urban enchantress called Cassandra who had to balance her real world chores with her metaphysical responsibilities. You can still find copies of the magazine on eBay.