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Cartoonists, Rejected! Accepted! Interviewed!

Filed under: Seal Barks Tagged: books, Carolita Johnson, cartoons, design, interviews, magazines, Matthew Diffee, Rejection Collection, Steve Martin

New Yorker cartoonists Matt Diffee and Carolita Johnson, respectively editor of and contributor to the latest Rejection Collection book, were on the radio this morning talking about the book and cartooning generally; you can read more about it on Carolita's blog, one of my favorite sites on the Thingosphere. Diffee also spoke to NPR in November about all things rejected and collected.

Semi-incidentally, I also notice a Steve Martin interview lurking in the margins there. Nice work, webmasters!

I recently interviewed Diffee at some length myself, for Print, my noble and sassy (it's true) home base. Want to stick it to the nattering nabobs of new-media naysaying? Buy a beautiful subscription to the magazine whose name sums up everything you love about those words and images you don't have to squint at onscreen and can even read on the subway without becoming a miniaturist. It's a fabulous and thoughtful gift, not to mention a steal!

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Who we?

Emdashes, founded December 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages.
Learn more about us and our contributors.

Affinities | Blurbs

We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

No fear: Everything you say or send is off the record unless we ask for your permission to use it.

This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.”

Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to our hearts.

Primary sources

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Founded by Emily Gordon, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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