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I am very pleased to announce that our project of listing the New Yorker essays in Houghton Mifflin's "Best American Essays" series has moved from "spotty" to "thoroughgoing." We were fortunate to spark a "completist mania" (his words) in stalwart Emdashes supporter Benjamin Chambers, who doggedly tracked down the nine missing years for us. We are so vastly grateful to Benjamin for helping us close out that post for good.
When he's not giving Rebecca West's Black Lamb and Grey Falcon a close reading (West wrote 24 items for The New Yorker, ahem), Benjamin is working his way through every single essay in these volumes, a foolhardy but surely a rewarding undertaking. We'll have further updates from his reading progress (on the essays, not on West) in the near future. Benjamin runs the award-winning literary website The King’s English, which we urge you to check out. —Martin Schneider
Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.
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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.