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Buy Guns, Not Magazines!

Filed under: Headline Shooter Tagged: art, circulation, Clive Thompson, guns, labor, Liza Featherstone, museums, music, race, Sasha Frere-Jones, Virginia Snedeker, Wal-Mart

Wal-Mart is junking The New Yorker, along with more than a thousand other publications no longer suitable for the refined tastes of the discriminatory, abusive retail chain.

Clive Thompson comes up with an ingenious way to test a Sasha Frere-Jones hypothesis.

Classic New Yorker artist Virginia Snedeker has a major retrospective at New Jersey's Morris Museum.

Happy weekend!

3 comments

Comments

If they had any wit, they'd allow it to be carried in Dubuque only. But I guess you don't become a union-busting retail behemoth by being witty in that way.

MartinJanuary 19, 2008

Leave it to Wal-Mart.

Where will I submit my NASCAR-inspired fiction now?

Matthew TiffanyJanuary 19, 2008

Hey, should we be worried about what this blow might do to TNY's fortunes?

Benjamin ChambersJanuary 22, 2008

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Who we?

Emdashes, founded December 2004 by Emily Gordon, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages.
Learn more about us and our contributors.

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We welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

No fear: Everything you say or send is off the record unless we ask for your permission to use it.

This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.”

Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to our hearts.

Primary sources

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Founded by Emily Gordon, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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