Emdashes. Modern Times Between the Lines.
Best of Emdashes: Hit Parade
A Web Comic: The Wavy Rule
Before it moved to The New Yorker:
Ask the Librarians archive
About Emdashes | Email us
Features & Columns:
Headline Shooter
On the Spot
Looked Into
Sempé Fi: Cover Art
Found in the Chapter Menu: The President's Analyst
Filed under: X-Rea: Irvin Type Watch Tagged: Brendan Gill, David Denby, movies, Rea Irvin
The President’s Analyst, written and directed by Theodore J. Flicker and starring James Coburn in the title role, was released in 1967—which fact is screamingly evident in virtually every frame. I saw a big chunk of it many years ago, and in my mind it’s always remained a mashup of Dick and I Love You, Alice B. Toklas! with a little bit of Skidoo thrown in. (We learned recently that David Denby is a big fan of Otto Preminger—I’d love to know what he makes of Skidoo.)
Let’s be frank: The President’s Analyst is kind of a mess. Its hallmark is the sort of hysterical puerility much better carried off some years later in The In-Laws. Watching the DVD (and enjoying the movie about as much as I had), Friend of Emdashes Jarrett noticed something odd: the people responsible for the DVD menu, rather than select some swirly go-go typeface, as seen in for instance the poster, went with a close approximation of Irvin. (In the poster, the title is set in the shape of an analyst’s couch, which is one of those “good” ideas better off relegated to the dustbin. You can see this idea carried over in the words “Scene Selection.”)
Jarrett kindly provided Emdashes with some screengrabs. Here they are:
It’s not quite a perfect match, I don’t think, but it’s very close. Nice to see my distant relative Dwayne F. Schneider there in that final chapter. Oh, here’s that silly couch lettering:
And here’s a random still from the movie with Coburn jamming on some kind of gong:
“The President’s Analyst” … has a fine idea for a comedy, which it wantonly tosses away…. From the moment the analyst turns up in a fright wig at a folk-rock party, the movie loses control of itself and pitches headlong into greater and greater exaggeration.
Exactly.
—Martin Schneider
About us
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
You'd like to know more about the writers and artists and what our column titles mean? We live to serve!
We welcome tips, questions, comments, and corrections, and are always on the lookout for ardent, obsessive new contributors. Click here to email us.
We host occasional book giveaways. Publishers, please email us for our postal address.
Tell me more
Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Other writing by Emily Gordon
- Writing on theater: reviews (for Time Out Chicago; imperfect but workable search results)
- Profile: Valerie Casey, Designers Accord founder, is spearheading the design of sustainability (for SXSW World)
- Feature: Rea Irvin: visionary art director, bon vivant, New Yorker founding father (for Print)
- Slide show: the Coney Island Mermaid Parade (for NYCgo.com)
- Feature: Muslim immigration iconography in the Netherlands, and an interview with Ayaan Hirsi Ali (for Print)
- Review: King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Homage: Celebrating lindy-hop legend Frankie Manning (for NYCgo.com)
- Inquiry: Does a New Republic redesign mean a change of tune? (for Print)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Interviews: four up-and-coming designers under 30 (for Print)
- Profile: novelist and dance critic Laura Jacobs (for Newsday)
Blogroll highlights
- Box Office Boffo
- World of Pollux
- Jonathan Taylor
- Carolita Johnson
- Songs for blogroll lovers (more links)
- Follow us on Twitter
- Befriend us on Facebook
- Get a t-shirt at the Emdashes store
No fear
Everything you tell or send us is off the record unless we ask for your permission to use it.
Comments
Actually, I like the couch! I think it’s groovy, and funny. I’m going to find out what the technical name for that kind of word shape is. It’s like a typographic calligramme.
Maybe you’re right! I was not familiar with the word calligramme. What about this? I seem to remember some of those Alan Fletcher books like A Smile of the Mind having a few good ones like that.
I asked a typography guru I know, who said: “Figured typography or figurative lettering would be the term. It is based on figurative poetry (also called concrete poetry or for Apollinaire, calligrammes).” So I was almost there, as were you!
Here’s one of Apollinaire’s, for a nice visual example, and “Easter Wings” by George Herbert, one of my favorite poets.
“The President’s Analyst” is a product of its time. Maybe not a great movie but almost everything in it has come true. We use cell phones instead of phone pills. Gun control and surveillance paranoia are still hot topics, too. A movie like this would never be made today, unfortunately. For one, we have no James Coburn. Its a broad romp and a great comment about society’s polarized value systems and politics. Its not highbrow but it works.