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Matthew Hutson interviews the cartoon editor about why he left experimental psychology, the effect of morbid stimuli on the funny bone (I know “funny bone” is a big ol’ cliché, but suddenly it seems so silly and hilarious to me; have I been exposed to any death imagery lately, or just the usual apocalyptic reverie?), and why he came back to experimental psychology, but with jokes instead of pigeons.
I'm Emily Gordon, reachable at emily@emdashes.com.
I'm an editor at PRINT magazine in New York City. I've worked at The Nation, Newsday, PEN America, and Legal Affairs. I've written for the NY Times Book Review, Salon, The Washington Post, The Village Voice... continued
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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Written and edited by Emily Gordon (plus various guest contributors), designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
Comments
That’s funny. I have fruit flies and new yorker cartoons in my kitchen. Pesky.