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Looked Into
Gladwell Raises New and Troubling Questions About New and Troubling Questions
Filed under: Looked Into Tagged: art, cartoons, Chris Ware, covers, events, Malcolm Gladwell, podcasts, radio, Saul Steinberg, This American Life
Martin Schneider writes:
The Adam Baumgold Gallery has been on New Yorker streak lately. In addition to showcasing a number of intriguing works by Saul Steinberg, the gallery is putting on "Chris Ware: Drawings for New York Periodicals," which features a number of New Yorker covers in the draft stage. Here are a couple of examples:
I find these images haunting; I don't know why. I run a little hot and cold on Ware, but his technique is undeniably staggering. Judging from these images, the show provides a great deal of insight into his way of working.
The gallery is located at 74 East 79th Street, and the show runs through March 13. I can't wait to check it out.
Meanwhile, in a more aural vein, last week's episode (#348) of This American Life featured Malcolm Gladwell describing some prankery from his days at The Washington Post. The mp3 is available on TAL's website, and you can also get it on iTunes. For those who don't own iPods or are allergic to podcasts, Gladwell told a version of this story in a 1996 Slate diary.
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Emdashes, founded December 2004, is a place where keen and dedicated readers of The New Yorker, past and present, can find related news and commentary: about people, subjects, and ideas within the magazine, and events and conversations outside its pages. Learn more about us and our contributors.
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A few clips
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
- Interview: Designer Eleanor Grosch (for Print)
- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
- Proposal: A more attractive MetroCard (for A Brief Message)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands (for Print)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
Tell me more
They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Edited by Martin Schneider, designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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Comments
That episode of TAL was the type that kept me sitting in the car long after I'd arrived so I could hear the end of the story. It was perverse and often baffling.