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Salon’s Carol Lloyd considers the portion of Jill Lepore’s recent piece “Just the Facts, Ma’am” that addresses the often divergent reading tastes of women and men.
I once went on a date with a man who insisted, indignantly, that men did too read novels (of course, I didn’t claim that no men read novels—that would be absurd coming from someone whose father has a yearly Pride and Prejudice bacchanal—only that the men I know tend to prefer nonfiction), and called his best friend from the car (he had a car, which was strange in itself) to gather further irrefutable evidence of this truth. Anyway, he was vindicated, but I didn’t much like his pugilistic need (coincidentally, he was a lawyer) to be right on every point he brought up. So, that was the beginning and end of our romance, and that is more history than literature.
Hello! We're a small band of media enthusiasts, culture addicts, and journalists based in New York, Chicago, and Los Angeles. Emdashes, formerly a New Yorker fan site, is our collection of conversations—mostly civilized—about magazines, movies, politics, design, punctuation, and other things that stir us.
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Dashes, some say, “are particularly useful in a sentence that is long and complex.” Emdashes—like an em dash itself—provides a thoughtful pause amid the hubbub.
Emdashes, founded in 2004, is written and drawn by Emily Gordon, Martin Schneider, Pollux, Jonathan Taylor, and Benjamin Chambers, as well as occasional guest contributors. All posts before October 2008 are by Emily Gordon.
The site was designed by House of Pretty with illustrations by Jesse R. Ewing.
Additional drawings are by Carolita Johnson and Pollux (author of our web comic, "The Wavy Rule"). The Emdashes pencil logo is by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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