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Academia and The New Yorker: The Next Wave

Filed under: The Squib Report Tagged: academia, advertising, covers, magazines, New Yorker

Levi Fox, Gretchen Sund, and Caroline Altman, three enterprising undergraduates from the American Studies Program at the University of Virginia, have put up a stimulating suite investigating the unique status of The New Yorker as a “local” magazine with a decidedly “national” profile.

According to the editor’s introduction, the suite “examines the people who defined New Yorker humor in its early days and drove the magazine’s success” and takes a look at its formerly “elitist advertising policy.” They look at some of the analogues of The New Yorker, both at home (Vanity Fair, Saturday Evening Post, Collier’s) and abroad (Germany’s Simplicissimus, London’s Punch) . They also take a peek at a few memorable wartime covers.

Good work! I hope that all three of them become passionate Emdashes readers—if they aren’t already!

Note: Thanks for The Millions for including a link to this in his most recent “Curiosities” post. Emily kindly reminds me that it’s been sitting in the Rossosphere for ages! I thought it looked familiar.

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Who she?

I'm Emily Gordon, reachable at emily@emdashes.com.

I'm an editor at PRINT magazine in New York City. I've worked at The Nation, Newsday, PEN America, and Legal Affairs. I've written for the NY Times Book Review, Salon, The Washington Post, The Village Voice... continued

Affinities | Blurbs

I welcome tips, questions, and comments about The New Yorker past and present, plus related events, links, typeface sightings, &c. To contact the magazine or send a submission, click here.

No fear: Everything you say or send is off the record unless we ask for your permission to use it.

This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

Primary sources

The New Yorker
Events listed by the magazine
Web resources: New Yorker writers and artists
Books, Organizations, &c.

Written and edited by Emily Gordon (plus various guest contributors), designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

The Rossosphere