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CJR Presents Hamill on Liebling: Listen In!

Filed under: Looked Into Tagged: A.J. Liebling, Algonquin Hotel, audio, books, events, nonfiction, Pete Hamill, St. Clair McKelway, World War II

Martin Schneider writes:

A. J. Liebling is one of those storied writers from The New Yorker’s past whose work I keep meaning to read more of. Fortunately, on the occasion of the release of the Library of America’s A. J. Liebling: World War II Writings, the Columbia Journalism Review got Pete Hamill, who edited the book, to make the case, at typically vigorous length, that I should do that sooner rather than later.

Here’s an audio file of the event, which was held last Tuesday at Columbia’s Graduate School of Journalism. (It’s a .mov file, but it is audio-only.) For the aspiring journalists out there, the discussion includes essential tips in the strategic use of bearded Norwegians in the fine art of finding a job. The presentation gets extra points for name-checking St. Clair McKelway.

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Who she?

I'm Emily Gordon, reachable at emily@emdashes.com.

I'm an editor at PRINT magazine in New York City. I've worked at The Nation, Newsday, PEN America, and Legal Affairs. I've written for the NY Times Book Review, Salon, The Washington Post, The Village Voice... continued

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A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

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Written and edited by Emily Gordon (plus various guest contributors), designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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