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"How Much Are Construction Deaths Worth?"
Filed under: Personal Tagged: architecture, in memoriam, labor, Michael Bloomberg, politics
In a column in the New York Post, Manhattan Borough President Scott Stringer compared the accident to the Triangle Shirtwaist Factory, a bellwether of the last century the brought on sweeping changes in corrupt citywide labor laws. He invoked the disaster as a way of indicating that vast changes at the DOB are called for in the wake of the crane accident. Will such changes occur? Sadly, tragically, criminally, another crane accident is probably more likely.
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I'm Emily Gordon, reachable at emily@emdashes.com.
I'm an editor at PRINT magazine in New York City. I've worked at The Nation, Newsday, PEN America, and Legal Affairs. I've written for the NY Times Book Review, Salon, The Washington Post, The Village Voice... continued
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A few clips
- Report: Learning to read with comic books edited by Françoise Mouly (for Print)
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- Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
- Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
- Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
- Proposal: A more attractive MetroCard (for A Brief Message)
- Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
- Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
- Feature: Muslim immigration iconography in the Netherlands (for Print)
- Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
- Profile: screenwriter and novelist Joe Keenan (for Newsday)
- Review: The Complete New Yorker (for Print)
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They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.
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Written and edited by Emily Gordon (plus various guest contributors), designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.
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Comments
I'd like to point out this article, which momentarily had me feeling moved by the construction workers' solidarity and solemnity during the wait to retrieve the final three bodies. They formed human chains to shield the wife of one of the construction workers from the public as she made her way from Starbucks to the site, and tipped their hats and bowed their heads solemnly, etc, whenever one of their own was found. But when the body of the one non-construction worker victim was finally found -- the one innocent bystander, and possibly the one victim of their own negligence on the worksite -- they had nothing for her or her loved ones, and simply went their way ("...no fanfare from the construction workers, who were drifting away from the site.").
I lost all my admiration and compassion for them in that instant. Pathetic!
It was a sad day all around, that's for sure.
I tried to post two comments on your blog, but as you know, your comments are closed! A pox on the evil spammers preventing the free flow of friendly discourse! What I was going to say is that I dug your elegant ballot box illustration, and that you should write music reviews. Your Madame Butterfly review made me giggle, but it's also an excellent theater critique. You should write modern updates of various opera libretti, seriously!