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Celebrity Dish, New Yorker Style

Filed under: Headline Shooter Tagged: fiction, Mollie Panter-Downes, Richard Ford, Salman Rushdie, T. Coraghessan Boyle

Benjamin Chambers writes:

Sorry, no lurid news about your favorite New Yorker authors getting into (or out of) rehab. But there’s plenty of news, and I’m here to spread the wealth.

Take your pick: you can check out this Richard Ford sampler; rumors that a new T. Coraghessan Boyle story, “The Lie,” will soon be appearing in your copy of The New Yorker; a short piece on the pleasures of reading Mollie Panter-Downes, who covered WWII for TNY; or this pleasantly addled dual review of Salman Rushdie’s “The Shelter of the World” (from the January 25, 2008 issue) and a Bollywood movie about the same characters.

Enjoy!

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Who she?

I'm Emily Gordon, reachable at emily@emdashes.com.

I'm an editor at PRINT magazine in New York City. I've worked at The Nation, Newsday, PEN America, and Legal Affairs. I've written for the NY Times Book Review, Salon, The Washington Post, The Village Voice... continued

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This site is neither owned nor operated by The New Yorker magazine or Condé Nast Publications.

A few clips

Report: Learning to read with comic books edited by Françoise Mouly (for Print)
Interview: Designer Eleanor Grosch (for Print)
Review: Charles Addams: A Cartoonist's Life by Linda H. Davis (for Newsday)
Review: The King's Gambit: A Son, a Father, and the World's Most Dangerous Game by Paul Hoffman (for Newsday)
Review: Does The New Republic's recent redesign mean a change of tune? (for Print)
Proposal: A more attractive MetroCard (for A Brief Message)
Interview: James Surowiecki on what's next for the wisdom of crowds (for Assignment Zero)
Report: Eustace Tilley spruces up for The New Yorker's website redesign (for Print)
Feature: Muslim immigration iconography in the Netherlands (for Print)
Review: books about various New Yorker cartoonists by Liza Donnelly and Iain Topliss (for Newsday)
Profile: screenwriter and novelist Joe Keenan (for Newsday)
Review: The Complete New Yorker (for Print)

More clips.

Tell me more

They say that dashes “are particularly useful in a sentence that is long and complex.” Emdashes—like em dashes—emphasizes what’s between: in particular, between the lines, covers, and issues of a magazine close to my heart.

Primary sources

The New Yorker
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Web resources: New Yorker writers and artists
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Written and edited by Emily Gordon (plus various guest contributors), designed by Pretty, and illustrated by Inkleaf. Additional drawings by Carolita Johnson. Kissable pencil girl by Jennifer Hadley, based on a 1943 Dorothy Gray ad.

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